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Poetry and medicine have long been intimately linked. William Carlos Williams noted in a worn prescription pad that the ‘use of poetry is to vivify’. Poetry has a history of being used to define life in ways that medical language sometimes cannot. This chapter traces the intersection of poetry and medicine through the figure of the physician-poet, specifically in the eighteenth century. It explores how poetry has been used to question what medical theories mean for broader philosophical questions about the human body and the self. Through poetic works by Sir Richard Blackmore, Samuel Garth, John Arbuthnot, and John Armstrong, this chapter places Williams’s note on poetry’s vivifying quality in the history of physicians using poetry to explore and define aspects of life within the human body.
How did the character John Bull come to be so widely recognized as a stand-in for the British government or people? John Arbuthnot created the character in 1712 in a series of five pamphlets criticizing the British role in the War of the Spanish Succession, and for fifty years the character was mentioned only in references to Arbuthnot. In the late eighteenth century, John Bull began to appear in newspaper articles relating to other political contexts, eventually appearing in satires on all manner of British policies and characteristics, from taxes and the economy to xenophobia and imperialism. This essay argues that the American colonists adapted the character to their own purposes. This analysis contributes to the understanding of the content, political engagement, and spread of the press in eighteenth-century Britain and America. It also reveals one way that writers about British national identity and its symbolism accounted for an increasingly diverse global empire that could not be represented adequately by a single figurehead.
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