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This chapter explores the ways in which the relationship between contemporary exegesis and the history of interpretation has been changing, to admit greater influence from premodern practice than was often allowed during modern times. Premodern interpretation is considered with examples from Augustine and Hugh of St, Victor, and then contemporary examples of reading the parable of the Good Samaritan and Psalm 137 are discussed to sample the issues.
Some time between 1445 and 1450 the Flemish artist Rogier van der Weyden painted three oak panels which have come to be known as the Seven Sacraments Altarpiece. Sacraments made palpable and visible the invisible and mysterious workings of grace. From Christ's life, through apostles who founded churches, and later through the pope of Rome, Peter's successor, a chain of sacramental action was created. The early medieval centuries saw relatively little discussion of sacramental theory, although individual sacraments did receive some attention and elaboration. In his treatise on the sacraments the Augustinian scholar Hugh of St Victor distinguished between the type of sacrament that prevailed in each phase of history: under natural law, under written law and under grace. Around 1250 Jean de Joinville composed a treatise on the sacraments before he embarked on Louis IX's crusade. The most important events were illustrated: baptism and the eucharist.
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