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This chapter embarks from the observation that ancient Greek settlements occupied three categorically separate yet interwoven landscapes: the natural, the human, and the imagined environment. It traces their presence at Hermione in the south-eastern Argolid to disclose multiple levels and layers of localisation and steers the investigation to places where all of these vectors combined. In the highly inclusive cult of Demeter Chthonia, the blend included communal preference, local vegetation, and a deliberately local variant of underworld conceptions. The cult of Demeter Chthonia at Hermione involved the killing of a frisky cow with sickles by four old women. It appears impossible to explain why the cow ritual took the idiosyncratic form that it did. Yet the comparison with cults of Demeter Chthonia elsewhere suggests the close interplay between agricultural and eschatological aspects. Although united with other Demeter cults under the same epiclesis and in accordance with the polymorphous nature of Greek religion, the cult in Hermione attests to lively conversations with the specific features of the local landscape, and the desire of the community to make sense of it.
This chapter embarks from the observation that ancient Greek settlements occupied three categorically separate yet interwoven landscapes: the natural, the human, and the imagined environment. It traces their presence at Hermione in the south-eastern Argolid to disclose multiple levels and layers of localisation and steers the investigation to places where all of these vectors combined. In the highly inclusive cult of Demeter Chthonia, the blend included communal preference, local vegetation, and a deliberately local variant of underworld conceptions. The cult of Demeter Chthonia at Hermione involved the killing of a frisky cow with sickles by four old women. It appears impossible to explain why the cow ritual took the idiosyncratic form that it did. Yet the comparison with cults of Demeter Chthonia elsewhere suggests the close interplay between agricultural and eschatological aspects. Although united with other Demeter cults under the same epiclesis and in accordance with the polymorphous nature of Greek religion, the cult in Hermione attests to lively conversations with the specific features of the local landscape, and the desire of the community to make sense of it.
Around 500 CE Colluthus, writing in Greek, and Dracontius, writing in Latin, each composed an epyllion on the Abduction of Helen. However, apart from title, date, and genre, the two works have very little in common. This chapter presents an interpretation of the two poems that connects them with contemporary historical and social developments. On the one hand, the role of Hermione in Colluthus is connected with the changing role of children in late antique society, under the influence of Christian morality. On the other, the attitude towards Vergil in Dracontius is explained from the late antique political context (being after the fall of Rome) and the perspective of the author as an advocate in Carthage under Vandal rule. A comparison between the two poems sheds interesting light on how the ‘antehomeric’ narrative was adapted respectively in the East and the West: in Colluthus' Egypt and in Dracontius' Africa.