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2 results

  • Chapter One - The Appeal of the Subversive

  • from Part I
  • Marie-Louise Lillywhite, University of Oxford
  • Book:
    Reforming Art in Renaissance Venice
    Published online:
    24 January 2025
    Print publication:
    13 February 2025, pp 39-78

  • Summary

    Chapter 1 concentrates on the extent to which the relative fluidity of belief that was tolerated prior to the late 1540s in Italy was manifested visually. It analyses cases of artists who embraced theological ideas that would later be deemed doctrinally unacceptable by the Catholic Church, highlighting the complexities of reading heterodox meanings into their output.

The Art Collector in Early Modern Italy
  • Andrea Odoni and his Venetian Palace
  • Monika Schmitter
  • Published online:
    23 August 2021
    Print publication:
    23 September 2021
  • Lorenzo Lotto's Portrait of Andrea Odoni is one of the most famous paintings of the Italian Renaissance. Son of an immigrant and a member of the non-noble citizen class, Odoni understood how the power of art could make a name for himself and his family in his adopted homeland. Far from emulating Venetian patricians, however, he set himself apart through the works he collected and the way he displayed them. In this book, Monika Schmitter imaginatively reconstructs Odoni's house – essentially a 'portrait' of Odoni through his surroundings and possessions. Schmitter's detailed analysis of Odoni's life and portrait reveals how sixteenth-century individuals drew on contemporary ideas about spirituality, history, and science to forge their own theories about the power of things and the agency of object. She shows how Lotto's painting served as a meta-commentary on the practice of collecting and on the ability of material things to transform the self.