We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure [email protected]
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
This chapter discusses the question of the plurality of historical genres practiced by historians, and their function as a galvanizer of the classics. I proceed first (‘Taxonomies’) by analyzing the theories, definitions, and taxonomies of historical genres developed by ancient scholars such as Cicero and Dionysius to the modern taxonomical project by twentieth century scholars. In the second section (‘Developments’), I provide a brief history of the development of historical genres over time, focusing especially on the moment of their emergence, from ancient and medieval ethnographies, biographies, genealogies, and chronicles to modern monographs and papers. In the last section (‘Reappraisals’), I combine the premodern and modern approaches described in the first two sections, assuming postmodern theories to apply them to the discernment of the classic and the canon in history/historiography. To conclude, I propose an ethical purpose that make historians more attentive to the new developments and possibilities of historical genres, to better adapt the historical form to its content, making it compatible with respect and appreciation for the classics of the discipline. A more comprehensive and flexible approach to historical genres may facilitate the task of those who envisage a more creative and innovative historical writing and production.
Gervase of Canterbury gives a detailed account of the fire that ravaged Canterbury Cathedral in the 1170s, after which an excerpt from the fire regulations published in 1212 in London after another major fire in the city is included. Building and repairs are exemplified by documents recording work done at WIndsor Castle and Westminster Abbey, as well as the accounts of payment made for repair to the clock on Westminster Palace, now replaced by Big Ben. Finally a contract is included between a builder and the authorities at St. Paul’s regarding the building of a large merchant’s house in the City of London, with details as to the plan of the house and the sourcing of the materials.
Recommend this
Email your librarian or administrator to recommend adding this to your organisation's collection.