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This article employs a thumbs and thumbnails analysis to analyze the 85 most viewed Asian online porn thumbnails, videos, and their audiences’ comments to argue that cyberspace functions as a space of “affective simulation,” rather than simply as a space of representation. For these online viewers, the performativity of pain by Asian women porn stars functions as an entry point to access and externalize their affective excess.

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Genocide has a way of imposing silence. Part of its purpose is to erase history, and human voices. This series of three volumes aims to contribute to breaking the silence that so often follows genocidal outbreaks. These volumes attempt to document and understand this global phenomenon. The term “genocide,” as a way of describing the “practice of extermination of nations and ethnic groups,” was coined in 1943, when Raphael Lemkin (1900-1959) penned the preface to his 1944 book Axis Rule in Occupied Europe. Five years later the United Nations General Assembly unanimously adopted the Genocide Convention. But Lemkin considered genocide to have much older roots. He had set about writing – but did not complete before his death – a three-volume history of genocide from ancient times, in which he argued that the phenomenon had “followed humanity throughout history.”

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The performativity of pain: affective excess and Asian women's sexuality in cyberspace

General Editor’s Introduction to the Series

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The performativity of pain: affective excess and Asian women's sexuality in cyberspace

General Editor’s Introduction to the Series

Summary