In May 2021 a group of 96 classical antiquities was seized from Fordham University where they had formed part of their museum collection. The seizure was directly linked to the investigation by US authorities of objects that had been handled by the dealer Edoardo Almagià. The Fordham material was dominated by objects derived from Italy: Apulian, Campanian, and Paestan figure-decorated pottery; red-on-white ware associated with Crustumerium in Lazio; and Etruscan pottery, architectural terracottas, and terracotta votives. The objects were all donated to Fordham by William D. Walsh and had largely been acquired at auctions or through a narrow group of Manhattan galleries.

An integrated study of the zooarchaeological, iconographic, and artefactual data from the Etruscan site of Poggio Civitate (Murlo, Italy), inhabited from the eighth to the sixth century bc, reveals intra-site differences in the distribution and disposal of animal body parts and species represented, including wild animals. Smaller mammals and birds that would be trapped are encountered more frequently in the site's workshop area and larger prey (deer, wolf, bear, and aurochs) that would be hunted are found more often in the area of the elite residence. We suggest that some of these remains are evidence that hunting was for the purpose of trophy display by the elites of Poggio Civitate and we discuss the social implications of such an activity in this community.

Poggio Civitate has made an important contribution to the understanding of domestic architecture in pre-Roman central Italy since excavations commenced in 1966 uncovering two phases of monumental architecture. Interpretations of the site have been varied, with suggestions that it was the seat of a north Etruscan league or the base of a local élite family. This study argues that it was the latter, based upon an analysis of the famous ‘cowboy’ statue acroteria from the Archaic period complex. It is argued that the statues, as ancestral figures of the élite inhabitants, personified their wealth and power. The complex, and acroteria more generally, had a powerful psychological effect on those living within it, but more importantly those living in the surrounding territory. In addition the building is placed within its physical and socio-political landscape of north inland Etruria

George Dennis’ The cities and cemeteries of Etruria, a massive two-volume work of over 1000 pages, was published towards the end of 1848, the British Museum’s copy (now the British Library’s) being received on 18 January 1849. It was quickly acclaimed as a literary and archaeological masterpiece (Rhodes 1973: 52–5; Pallottino 1955: 126, n. 1), which brought the then little-known Etruscans to life in the most vivid of ways. The fruit, in Dennis’ word, of extensive travelling in Etruria between 1842 and 1847, and of much work in the libraries of, in particular, Rome, it remains 150 years later an indispensable topographical source. Indeed, a 2nd, revised, edition appeared in 1878 (reprinted in 1883, but misleadingly entitled a 3rd edition), and a further version of the 1848 volume was published in J.M. Dent’s highly regarded ‘Everyman’ series in 1907.