Different literary strategies tied to the peculiarities of the city itself have been used to write Mexico City. This is a roughly chronological attempt to understand the dialog between the materiality of the city and the mirrors literature has held to it. We first focus on distance as obstacle to reach Mexico City––both for Aztecs and later for the conquistadors–– but also allowing authors to encompass the whole city. Distance is embodied in the gaze of the traveler who discovers the city anew as does, for instance, Frances Calderón de la Barca. As the texts of these visitors prove, the city is not only extensional, it is always conditioned by the past, modeling, and shaping the present. Offering a total view of the city became more challenging as the 20th Century progressed. This however is achieved in the novel, from Federico Gamboa to Carlos Fuentes. After the 60’s, fiction tends more and more to partial accounts of the metropolis and non-fiction privileges moments when the city beats in unison, as exemplified by Elena Poniatowska´s work. Mexico City has been portrayed as an urban tsunami. Extensive areas remain largely absent from the citys literature and cultural production.