The first chapter is concerned with the roles of Hyperborea in hymns and sanctuaries. It brings together fragments of Archaic and Classical material related to the great sanctuaries of Apollo at Didyma, Delphi and Delos and explores the uses of the distant North in the positioning of all three sites. It looks at how the interaction of ritual and commemoration could instrumentalise boreal remoteness to frame divine presence in sanctuaries that claimed a certain centrality. The first, introductory section of that chapter revisits the themes of divine arrival and absence through the lenses of cosmography. The second section is focused on an inscribed bone tablet from the northern Black Sea, an object consecrated to Apollo of Didyma. The third section, focused on the traces of Alcaeus' hymn to Apollo, analyses the poem's story of Apollo's arrival to Delphi from Hyperborea as a cosmographic document. The fourth and final section of the first chapter looks at the Delian record through the traces of Olen's hymn to Eileithyia, and the important cultic presence of the Hyperborean Maidens on the island. With that hymnic material, this chapter aims to explore the challenges and illustrate the significance of studying cosmography through cult and place.