We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure [email protected]
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
This is the first of three chapters focusing on swing big bands. Armstrong's career is traced from the 1920s in Chicago when Doc Cheatham subbed for him, through to his work with the All Stars. Cheatham gives a vivid picture of Louis in 1920s Chicago and Lawrence Lucie recalls his 1940s big band, including film appearances with singer Velma Middleton. Arvell Shaw recalls how he joined the big band, but follows this through to the All Stars. There are memories of Sidney Bechet in Boston, and musicians such as Roy Haynes, Kenny Clarke and Dexter Gordon working with Louis. The chapter then moves on to singer Jewekl Brown who compares her experiences to her predecessor Velma Middleton, who died on tour in Africa. Barney Bigard, whose autobiography Shipton published, gives his caustic views on Velma's tragic death.
Recommend this
Email your librarian or administrator to recommend adding this to your organisation's collection.