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2 results

  • Chapter 11 - Prose Sense and Its Soundings

  • from Part III - Applications
  • Edited by Anna Snaith, King's College London
  • Book:
    Sound and Literature
    Published online:
    29 May 2020
    Print publication:
    18 June 2020, pp 234-251

  • Summary

    Oriented by theoretical work form C. S. Peirce and Walter Ong through conceptual poet John Cayley, from John Stuart Mill on poetry as ‘overheard’ to Steven Connor on the ‘white voice’ of silent enunciation – as well as, in contrast, by book sculpture in the conceptual mode of the bibliobjet, closed to all reading – this essay lends intensive granular audition to passages from Dickens through Virginia Woolf to Toni Morrison. Its effort is to register, and further to generalise, the phonemic dimension of what, loosely but famously called ‘secret prose’ in Dickens by Graham Greene, I will be identifying (after Ong’s ‘secondary orality’) as the ‘secondary vocality’ of the reading event in cases of uniquely impacted audiovisual overlap identified as ‘graphonic’ wording.

  • Towards a semiotic theory of style in law: a Peircean approach

  • Bettina Bor, Miklós Könczöl
  • Journal:
    International Journal of Law in Context / Volume 15 / Issue 3 / September 2019
    Published online by Cambridge University Press:
    17 September 2019, pp. 263-273

  • This paper discusses the promises and limits of a Peircean semiotic approach to the concept of style in law. It does so in two steps: first (1) by identifying the place of style within the structure of law as a system of signs, then (2) by conceptualising the link between law and style in the thought of C.S. Peirce and highlighting some of the insights from a Peircean take on legal semiotics that may contribute to our understanding of the role of style in making meaning in law. It is argued that, for a Peircean analysis of law, three levels can be distinguished, from the ‘surface structure’ down to the ‘deep structure’. It is at the middle level (that of the ‘basic structure’) that a semiotic approach can yield coherent insights in terms of style, by examining the symbols and metaphors that make for the expressibility of ‘habits’, namely experience-based patterns of action and interpretation.