Under Mo Tianci, The Port continued to thrive as a resource exporter, emporium, and monetary center. In fact, it expanded beyond its immediate surroundings of the water world and Cochinchina, stimulated by commercial growth, social change, and official policies within the regional powers of China, Japan, and the VOC. As a result, The Port played an essential role in the offshoring of the Chinese economy, attracting surplus laborers from China to Southeast Asia and supplying them with goods from Guangzhou. The Port’s expanded jurisdiction after the late 1750s also allowed for a greater specialization of functions. Bassac and other minor ports handled trade with maritime East Asia and received support from the Hong merchants of Guangzhou. The urban center focused more on finance, influencing the money supply of Cochinchina and becoming a center for copper and silver in Southeast Asia. The Port’s fortunes got a further boost when the fall of Ayutthaya to the Myanmar forces removed a major competitor along the Gulf of Siam littoral.

This chapter has a sociocultural approach to the quest for nutmeg and cloves. It analyses human, cross-cultural encounters in South East Asia, the native countries of numerous spices introduced in Mauritius over the course of the eighteenth century. As this chapter reveals, the French colonial spice project involved actors from different backgrounds for patronage, protection, and assistance. They used a mix of languages, promises, and informal relations mainly in South East Asian islands (the Maluku islands and the Philippines). The purpose of this chapter is to understand the movements of knowledge and people within cross-cultural interactions in the Indo-Pacific through the lens of plant exchange. These cross-cultural connections were essential for this project: Asian merchants and brokers were indispensable for acquiring spice plants and grains from Dutch colonial territory in today’s Indonesia. Insisting on the cross-cultural nature of the acquisition of spice plants, this chapter challenges existing narratives of the cultural components of the French empire.