The chapter delves into the intricacies of representations of outer space, exposing their entanglement with colonialist narratives. It analyzes the ideology behind space exploration to show that, rather than being something “new” or aligned with futurism, these texts repeat colonialist conquest narratives while proposing alternative methodologies of “worlding” beyond conventional materialist paradigms. By critiquing mainstream notions of space travel, this chapter illuminates the Cartesian–Baconian separation of humans from nature, which, the author argues, perpetuates antiblackness. Through an analysis of Sun Ra’s Space Is the Place, the chapter illuminates how alternative narratives use outer space as a metaphor to oppose notions of the separation of humans from the natural world and anti-blackness. Sun Ra’s film not only challenges traditional modes of travel but also hints at alternative ways of understanding exploration, most especially of oneself. This shift in perspective signifies a departure from the conventional idea of discovering new worlds towards a more profound concept of co-creating realities, emphasizing shifts in consciousness over mere geographical exploration. Drawing upon the work of Katherine McKittrick and others, this chapter also invites a reconsideration of the ways in which geography itself is constructed, rather than an objective material fact of the phenomenological world.

“Black Ecological Insurgencies” charts the formation of an insurgent ecological tradition in the Tidewater of Virginia from slavery through the emergence of Jim Crow, underscoring the relationship between these formations and the re-grounding of Black subjectivity within the Black body in contrast to the latter’s abstraction and extraction in the service of expropriation and accumulation associated with plantation and post-emancipation transformations of the landscape. Engaging court documents, bills of sale, slave narratives, state records related to the consolidation of fisheries, as well as historical newspapers articles and related images, I excavate the dynamic relation between Black collective self-creation, fugitivity, resistance, land and aquacultural cultivation, and the rejoining of Black subjectivity and embodiment outside the premises of fungibility and disposability.