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3 results

  • A Note on Sources

  • Lisa Ford, University of New South Wales, Sydney, Kirsten McKenzie, University of Sydney, Naomi Parkinson, University of New South Wales, Sydney, David Andrew Roberts, University of New England, Australia
  • Book:
    Inquiring into Empire
    Published online:
    18 March 2025
    Print publication:
    27 February 2025, pp 298-304

  • Summary

    In a brief discussion of our key primary sources, we outline the necessary limits of our own investigation into an enormous and understudied archive, suggest ways in which the structure of the archive shaped our analysis and offer reflections that we hope will inspire future scholars to launch inquiries of their own.

  • Conclusion

  • Benoît Crucifix, KU Leuven & Royal Library of Belgium
  • Book:
    Drawing from the Archives
    Published online:
    06 July 2023
    Print publication:
    20 July 2023, pp 207-212

  • Summary

    The conclusion recaps the various chapters by considering what the backward look of contemporary graphic novelists can mean for comics studies today. This archival impulse in the graphic novel inevitably confronts us with our own practices as comics scholars and the extent to which we are also indebted to a range of vernacular archivists and historians of the form. It highlights both the possible blinkers that we repeat from that heritage and how these various gestures of transmission can make comics scholars more cognizant about the materiality of their own engagement with historical archives, possibly paving the way for different forms of academic research.

Drawing from the Archives
  • Comics Memory in the Contemporary Graphic Novel
  • Benoît Crucifix
  • Published online:
    06 July 2023
    Print publication:
    20 July 2023
  • Following Art Spiegelman's declaration that 'the future of comics is in the past,' this book considers comics memory in the contemporary North American graphic novel. Cartoonists such as Chris Ware, Seth, Charles Burns, Daniel Clowes, and others have not only produced some of the most important graphic novels, they have also turned to the history of comics as a common visual heritage to pass on to new readers. This book is a full-length study of contemporary cartoonists when they are at work as historians: it offers a detailed description of how they draw from the archives of comics history, examining the different gestures of collecting, curating, reprinting, forging, swiping, and undrawing that give shape to their engagement with the past. In recognizing these different acts of transmission, this book argues for a material and vernacular history of how comics are remembered, shared, and recirculated over time.