In 2007, Syrine Hout argued that the Arab Australian author Jad El Hage’s The Last Migration: A Novel of Diaspora and Love (2002) was the first Lebanese and, by extension, Arab, diaspora novel. Hout’s claim suggests that any writing by Arab Australians that preceded El Hage’s novel was beyond the bounds of diasporic literature. Her argument implies historical progression where migrant writers start as unsettled exiles and evolve into settled diasporic writers. The irony in the Australian context is that very few Arab Australian novels exist prior to 2002, meaning that if Hout’s claim is correct, the trajectory that The Last Migration benefited from must have come from its interaction with anglophone Arab writing being shaped elsewhere, where longer histories exist, and alongside other migrant writing in Australia. This chapter focuses on a range of Arab Australian novels to reveal how and in what ways this writing is deeply Australian while simultaneously embedded in a diasporic writerly milieu. It does so by contextualising these novels within diasporic and nationalist frameworks to illustrate how such texts do not easily fit the kind of literary categorisations posited by Hout.