Satire is often thought to differ in spirit or function from libel, defamation, gossip, and scandal. Many of the traditional ways scholars have defined satire – as a serious, high-minded mode focused on moral reform – enforce this distinction: the more frivolous and gossipy a satire is, the less it appears to be satire. This essay considers Lady Anne Hamilton’s satire, The Epics of the Ton; or, The Glories of the Great World (1807), a poem that challenges the traditional distinction between satire and gossip. Rare among satires in conceding its reliance on gossip, Hamilton’s poem surveys the sexual misdeeds of London’s fashionable classes, cloaking the identities of the targets. In presenting satire as a mode of printed gossip, Epics confounds the usual gender associations of satire. The poem contests the view, since John Dryden at least, of satire as a public, “manly” mode far removed from the furtive, gossipy genres associated with women, such as secret history and roman à clef. Hamilton uses the cloaked identities in her poem to replicate the play of gossip, where one scandalous tale ensnares many victims. By inviting identification of targets, Hamilton entraps readers into creating the gossip that is supposedly antithetical to satire.