This article revisits Rayford Logan’s thesis in The Negro in American Life and Thought: The Nadir, 1877‒1901 to chart how African Americans experienced joy during a racial low point—“the Nadir” of race relations. Using Logan’s claims as a conceptual framework, the article examines W. E. B. Du Bois’s position on amusement and everyday Black people’s joyful acts during the post-Reconstruction period to understand “a paradox of pleasure”—feeling jovial during dark times. With the Nadir as a case study, this essay argues that historians may develop Black joy as a historical analytic by asking research questions about Black affect, employing the tools of historical imagination, and concentrating on the small delights of daily life. This essay seeks to inspire curiosity about how exploring Black life from the angle of elation, not sorrow, can produce complex histories of Black subjectivity and feeling. It proposes Black joy as an inchoate analytic in hopes of it becoming a formal mode of historical inquiry.
