Chapter 7 covers David’s moral downfall and the disastrous implications for his family, including the rape of Tamar and the rebellion of Absalom. The closing pages of 2 Samuel look back and raise further questions about who David was and the kind of God who was involved with him.

Chapter 1 begins by considering three instances of Faulkner’s writing reused in new contexts: Malcolm Cowley’s 1946 Portable Faulkner; a commonplace book of Faulkner quotations published in 2000; and the current use of the line from his 1951 book Requiem for a Nun, “The past is never dead. It’s not even past,” as a widely circulated shorthand for persistent racial inequities that makes him, for many readers, more relevant today than at the height of his post-Nobel fame in the 1950s. While Faulkner seems to have meant this line as a critique of one character’s view, he likely would not object to the current use of the phrase due to his particular view of history whereby old artistic works take on new life by their use in the present. The chapter examines how Faulkner’s 1936 novel Absalom, Absalom! stages the issue of using documents, here in the form of letters, to construct an historical narrative. While Faulkner is widely understood today as a kind of historian, this chapter shows how he is more concerned with the ways in which historical texts, along with works of the imagination, create a sense of the past as an inherently multimedia endeavor.