Hostname: page-component-cd9895bd7-7cvxr Total loading time: 0 Render date: 2024-12-27T07:26:12.867Z Has data issue: false hasContentIssue false
  • English
  • Français

Modalities of Assimilation: Subcultural Currents in Felix Mendelssohn's Lieder Ohne Worte – ERRATUM

Published online by Cambridge University Press:  03 March 2022

Dan Deutsch Open the ORCID record for Dan Deutsch [Opens in a new window]
Dan Deutsch*
Affiliation:
Hebrew University, Jerusalem
*
[email protected]
Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content. As you have access to this content, full HTML content is provided on this page. A PDF of this content is also available in through the ‘Save PDF’ action button.
Type
Erratum
Information
Nineteenth-Century Music Review , Volume 19 , Issue 3 , December 2022 , pp. 573
Check for updates
Copyright
Copyright © The Author(s), 2022. Published by Cambridge University Press

The original article was published with an incorrect first sentence in the abstract. The first sentence read:

‘In this article I examine the impact on Felix Mendelssohn's music, as reflected in his Lieder ohne Worte (Songs without Words), of his affiliation with a German-Jewish subculture.’

This has been corrected on the original article to:

‘In this article I examine the impact of Felix Mendelssohn's affiliation with a German-Jewish subculture on his music as reflected in the Lieder ohne Worte (Songs without Words) for piano solo.’

The publisher apologises for this error.

References

Deutsch, D. (2021). Modalities of Assimilation: Subcultural Currents in Felix Mendelssohn's Lieder Ohne Worte. Nineteenth-Century Music Review, 1–28. doi:10.1017/S1479409821000409CrossRefGoogle Scholar