Hostname: page-component-6587cd75c8-4pd2k Total loading time: 0 Render date: 2025-04-24T04:51:40.468Z Has data issue: false hasContentIssue false
  • English
  • Français

DANCING TO TRANSFORM: HOW CONCERT DANCE BECOMES RELIGIOUS IN AMERICAN CHRISTIANITY by Emily Wright. 2021. Bristol, UK: Intellect. 240 pp. $106.50 hardcover. ISBN: 9781789382839.

Review products

DANCING TO TRANSFORM: HOW CONCERT DANCE BECOMES RELIGIOUS IN AMERICAN CHRISTIANITY by Emily Wright. 2021. Bristol, UK: Intellect. 240 pp. $106.50 hardcover. ISBN: 9781789382839.

Published online by Cambridge University Press:  08 May 2024

Kathryn Dickason Open the ORCID record for Kathryn Dickason [Opens in a new window]
Kathryn Dickason*
Affiliation:
Simmons University
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Review
Information
Dance Research Journal , Volume 55 , Issue 3 , December 2023 , pp. 113 - 116
Copyright
Copyright © The Author(s), 2024. Published by Cambridge University Press on behalf of Dance Studies Association

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Article purchase

Temporarily unavailable

References

Works Cited

Crawley, Ashon. 2017. Blackpentecostal Breath: The Aesthetics of Possibility. New York: Fordham University Press.Google Scholar
DeFrantz, Thomas. 2016. “Visualizing Dance of the Harlem Renaissance.” In Dance: American Art 1830–1960, edited by Dini, Jane, 177–195. New Haven: Yale University Press and Detroit Institute of Arts.Google Scholar
Dickason, Kathryn. 2021. Ringleaders of Redemption: How Medieval Dance Became Sacred. New York: Oxford University Press.CrossRefGoogle Scholar
Gottschild, Brenda Dixon. 1996. Digging the Africanist Presence in American Performance: Dance and Other Contexts. Westport: Praeger.Google Scholar
Hamera, Judith. (2007) 2011. Dancing Communities: Performance, Difference and Connection in the Global City. New York: Palgrave Macmillan.Google Scholar
Hellsten, Laura. 2021. Through the Bone and Marrow: Re-Examining Theological Encounters with Dance in Medieval Europe. Turnhout, BE: Brepols.CrossRefGoogle Scholar
Knäble, Philip. 2016. Eine Tanzende Kirche: Initiation, Ritual, und Liturgie im Spätmittelalterlichen Frankreich. Cologne: Böhlau Verlag.CrossRefGoogle Scholar
LaMothe, Kimerer. 2004. Between Dancing and Writing: The Practice of Religious Studies. New York: Fordham University Press.CrossRefGoogle Scholar
LaMothe, Kimerer. 2006. Nietzsche's Dancers: Isadora Duncan, Martha Graham, and the Revaluation of Christian Values. New York: Palgrave MacMillan.CrossRefGoogle Scholar
LaMothe, Kimerer. 2015. Why We Dance: A Philosophy of Bodily Becoming. New York: Columbia University Press.Google Scholar
Luhrmann, Tanya. 2012. When God Talks Back: Understanding the American Evangelical Relationship with God. New York: Alfred A. Knopf.Google Scholar
Renberg, Lynneth Miller. 2022. Women, Dance, and Parish Religion in England 1300–1640: Negotiating the Steps of Faith. Woodbridge: Boydell & Brewer.Google Scholar
Scolieri, Paul. 2013. Dancing the New World: Aztecs, Spaniards, and the Choreography of Conquest. Austin: University of Texas Press.Google Scholar
Wagner, Ann. 1997. Adversaries of Dance: From the Puritans to Present. Urbana: University of Illinois Press.Google Scholar