Hostname: page-component-669899f699-7xsfk Total loading time: 0 Render date: 2025-05-02T14:49:10.976Z Has data issue: false hasContentIssue false
  • English
  • Français

Kendhang Gaya Selo: Aesthetic Choice and Musical Exchange among Drummers in Central Java

Published online by Cambridge University Press:  16 September 2024

HANNAH M. STANDIFORD Open the ORCID record for HANNAH M. STANDIFORD [Opens in a new window] ,
DANIS SUGIYANTO  and
SUYOTO
Get access Rights & Permissions [Opens in a new window]

Abstract

The plucked selo, a three-stringed variation of the cello, in langgam Jawa kroncong music was originally inspired by Javanese gamelan kendhang drumming. By the 1960s, however, Ki Nartosabdho had developed a style of kendhang playing that imitates the selo, often called kendhang gaya selo (selo-style drumming), bringing this musical exchange full circle. Not every piece, however, is considered suitable for this rhythmic treatment. In this article, we examine musical exchanges in a song form known as langgam Jawa between the selo and the Javanese kendhang, and investigate when drummers decide to use kendhang gaya selo in gamelan settings.

Abstrak

Abstrak

Alat musik petik selo dalam langgam Jawa kroncong pada mulanya terinspirasi dari permainan kendhang Jawa. Namun, pada tahun 1960-an, Ki Nartosabdho telah mengembangkan gaya permainan kendhang yang meniru selo, sering disebut kendhang gaya selo yang membawa pertukaran musik ini menjadi pulang pergi. Namun, baik selo kroncong dalam gaya langgam Jawa maupun kendhang gaya selo, berbeda dari praktik yang awalnya diambil dan tidak setiap lagu dianggap cocok untuk perlakuan ritmis ini. Dalam artikel ini kami mengkaji pertukaran musik dalam bentuk lagu yang disebut langgam Jawa antara selo dan kendhang Jawa dan menyelidiki kapan penabuh memutuskan untuk menggunakan kendhang gaya selo.

Type
Research Article
Information
Yearbook for Traditional Music , Volume 56 , Issue 1 , July 2024 , pp. 1 - 24
Copyright
© The Author(s), 2024. Published by Cambridge University Press on behalf of the International Council for Traditions of Music and Dance

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Article purchase

Temporarily unavailable

Footnotes

*

This article has been updated since original publication. A notice detailing the change has also been published.

References

References

Aji, Ananto Sabdo, and Suyoto. 2022. Konsep Mandheg Dalam Garap Karawitan Gaya Surakarta. Surakarta: Institut Seni Indonesia Surakarta.Google Scholar
Benjamin, Brinner. 2008. Music in Central Java: Experiencing Music, Expressing Culture. New York: Oxford University Press.Google Scholar
Bruinders, Sylvia, and Kunnuji, Joseph. 2022. “Banding Together in Cape Town and Lagos: Engaging Reciprocity as Applied Ethnomusicology.” Yearbook for Traditional Music 54:27–47.CrossRefGoogle Scholar
Emerson, Kathryn. 2016. “Transforming Wayang for Contemporary Audiences: Dramatic Expression in Purbo Asmoro’s Style, 1989–2015.” PhD dissertation, Universiteit Leiden.Google Scholar
Kartomi, Margaret, Heins, Ernst, and Ornstein, Ruby. 2001. “Kendang.” Grove Music Online: https://www-oxfordmusiconlinecom.pitt.idm.oclc.org/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000014877 (accessed 23 April 2023).CrossRefGoogle Scholar
McGraw, Andrew. 2022. “Feeling Time in Indonesian Langgam Jawa.” Asian Music 53(2):110–38.CrossRefGoogle Scholar
Noryuliyanti, Noryuliyanti, Isawati, Isawati, and Abidin, Nur Fatah 2021. “Perkembangan Musik Keroncong Langgam di Solo (1950–1991).” Diakronika 21(2), 136–156. https://doi.org/10.24036/diakronika/vol21-iss2/190CrossRefGoogle Scholar
Nuswantoro, A. B. 2013. “Keroncong Formasi Gadhon Pada Pengamen Musik Di Solo: Sebuah Tinjuan Musikologis.” MA thesis, Institut Seni Indonesia Yogyakarta.Google Scholar
Pickvance, Richard. 2005. A Gamelan Manual: A Player’s Guide to the Central Javanese Gamelan. London: Jaman Mas Books.Google Scholar
Pietrosanti, Luca. 2014. “Combinatorial Principle in the Use of Drum (Kendhang) Formulae in Gamelan Music of Yogyakarta. From Prescriptive Models to the Interpretation of a Composition: The Case of Kendhang Pinatut.” International Journal of Creative and Arts Studies 1(2):25–45. https://doi.org/10.24821/ijcas.v1i2.1558.CrossRefGoogle Scholar
Polak, Rainer. 2010. “Rhythmic Feel as Meter: Non-isochronous Beat Subdivision in Jembe Music from Mali.” Music Theory Online 16(4):1–26.CrossRefGoogle Scholar
Riasetyani, S. M. 2013. “Analisis Teknik Permainan Cello Dalam Langgam Jawa Yen Ing Tawang Ono Lintang.” MA thesis, Institut Seni Indonesia Yogyakarta.Google Scholar
Setiawan, Sigit. 2018. “Kendangan Pinatut Dalam Sajian Klenengan.” Gelar: Jurnal Ilmu Dan Seni STSI Surakarta 16(1):77–86. https://doi.org/10.33153/glr.v16i1.2341.Google Scholar
Skelchy, Russell. 2015. “If There are Stars in the Sky: Waldjinah and Keroncong in Postcolonial Indonesia.” PhD dissertation, UC Riverside.Google Scholar
Sugiyanto, Danis. 2003. “Sumbangan Komponist Gesang Martohartono Terhadap Musik Indonesia.” MA thesis, Universitas Gadjah Mada, Yogyakarta.Google Scholar
Sumarsam. 1992. Gamelan: Cultural Interaction and Musical Development in Central Java. Chicago: University of Chicago Press.Google Scholar
Supanggah, Rahayu. 2003. “Campur Sari: A Reflection.” Asian Music 34(2):1–20.Google Scholar
Sutton, Richard Anderson. 1987. “Identity and Individuality in an Ensemble Tradition: The Female Vocalist in Java.” In Women and Music in Cross-Cultural Perspective, edited by Koskoff, Ellen, 111–130. New York: Greenwood Press.Google Scholar
Sutton, Richard Anderson. 1996. “Asia/Indonesia.” In Worlds of Music: An Introduction to the Music of the World’s Peoples, edited by Jeff Todd Titon, 316–368. New York: Schirmer Books.Google Scholar
Yampolsky, Philip. 1991. Liner notes for Indonesian Popular Music: Kroncong, Dangdut, & Langgam Jawa, Smithsonian/Folkways SF40056. 1 compact disc.Google Scholar
Yampolsky, Philip. 2010. “Kroncong Revisited: New Evidence from Old Sources.” Archipel 79:7–56.CrossRefGoogle Scholar
Yampolsky, Philip. 2013a. “Three Genres of Indonesian Popular Music: Genre, Hybridity, and Globalization, 1960–2012.” Asian Music 44(2):24–80.CrossRefGoogle Scholar
Yampolsky, Philip. 2013b. “Music and Media in the Dutch East Indies: Gramophone Records and Radio in the Late Colonial Era, 1903–1942.” PhD dissertation, University of Washington.Google Scholar
Darno, Pak. 2023. Interview by author. Surakarta. 23 January.Google Scholar
Dul, Si. 2023. Interview by author. Surakarta. 8 March.Google Scholar
Gapuk, Sigit. 2023. Interview by author. Surakarta. 21 February.Google Scholar
Gendul. 2023. Interview by author. Surakarta. 8 March.Google Scholar
Giyarto. 2023. Interview by author. Surakarta. 2 February.Google Scholar
Martono, Dwijo. 2023. Interview by author. Surakarta. 13 February.Google Scholar
Pur, Si. 2023. Interview by author. Surakarta. 8 March.Google Scholar
Santosa, Tlonteng. 2023. Interview by author. Karanganyar. 17 February.Google Scholar
Sri Eko Widodo. 2023. Interview by author. Surakarta. 22 February.Google Scholar
Suranto, Joko. 2023. Interview by author. Surakarta. 23 January.Google Scholar
Suwito. 2023. Interview by author. Surakarta. 13 January.Google Scholar
Timbul, Heru. 2023. Interview by author. Surakarta. 21 February.Google Scholar
Winoto, Edy. 2023. Interview by author. Surakarta. 24 February.Google Scholar
Darno, Pak. 2023. Interview by author. Surakarta. 23 January.Google Scholar
Dul, Si. 2023. Interview by author. Surakarta. 8 March.Google Scholar
Gapuk, Sigit. 2023. Interview by author. Surakarta. 21 February.Google Scholar
Gendul. 2023. Interview by author. Surakarta. 8 March.Google Scholar
Giyarto. 2023. Interview by author. Surakarta. 2 February.Google Scholar
Martono, Dwijo. 2023. Interview by author. Surakarta. 13 February.Google Scholar
Pur, Si. 2023. Interview by author. Surakarta. 8 March.Google Scholar
Santosa, Tlonteng. 2023. Interview by author. Karanganyar. 17 February.Google Scholar
Sri Eko Widodo. 2023. Interview by author. Surakarta. 22 February.Google Scholar
Suranto, Joko. 2023. Interview by author. Surakarta. 23 January.Google Scholar
Suwito. 2023. Interview by author. Surakarta. 13 January.Google Scholar
Timbul, Heru. 2023. Interview by author. Surakarta. 21 February.Google Scholar
Winoto, Edy. 2023. Interview by author. Surakarta. 24 February.Google Scholar