This obituary surveys the biography and major works of Liu Zehua, a leading scholar of China’s intellectual history, political thought, and political culture. It explores the impact of Liu Zehua’s personal experience, in particular the upheavals of the Cultural Revolution, on his conceptualization of Chinese political culture as subjugated to the overarching principle of monarchism. Liu Zehua’s critical engagement with China’s past distinguished him from proponents of revival of traditional values and made him one of the powerful opponents of cultural conservatives in China.

The present article explores questions about the composition, performance, circulation, and transmission of early Chinese poetry by examining a small number of poems from the received Mao shi and their counterparts in recently discovered manuscripts. Starting from a close examination of the poem “Xi shuai” (“Cricket”), the essay briefly discusses the problems we face in dealing with looted manuscripts before advancing toward rethinking the patterns of early Chinese poetic composition and transmission. Instead of taking individual poems as discrete, reified objects in the form we encounter them in the Mao shi, it is suggested to read them as particular instantiations of circumscribed repertoires where the individual poetic text is but one of many realizations of a shared body of ideas and expressions. This analysis is informed by the examination of both manuscript texts and the received literature, but also by comparative perspectives gained from both medieval Chinese literature and other ancient and medieval literary traditions. In emphasizing the formation of poetry as a continuous process, it leaves behind notions of “the original text,” authorship, and the moment of “original composition”—notions that held no prominence in the early Chinese literary tradition before the empire.

This article examines the attitudes of Warring States textual witnesses to the increase in presence of and reliance on bamboo manuscripts in communicating knowledge. Based on a rereading of transmitted materials and four manuscript texts (*Wuwang Jianzuo A and B, *Baoxun, and the Zhou Wuwang you ji) from the Warring States period, I analyze how contemporaries dealt with questions about the status of (manuscript) texts, their use and transmission, their trustworthiness, and their ability to preserve knowledge. These are texts that talk about themselves. They remark upon the physicality of text and the act of writing, the problem of oral and written transmission, and the differences in the ability of memory and manuscripts to store, hide, and reveal knowledge. I argue that these different reflections reveal a change in the predominant medium of communicating knowledge towards an increased reliance on bamboo manuscripts gradually and partially replacing traditional knowledge practices.

Contra the consensus view of the Shi jing 詩經 (Classic of Odes) and Chu ci 楚辭 (Verses of Chu) as the products of two distinct literary cultures, one northern and one southern, this article argues on the basis of intertextual analysis that the Chu ci developed in direct response to the Shi jing. The foremost poem in the anthology, the “Li sao” 離騷 (Parting's Sorrow) emerges as a metadiscursive journey through various Shi jing archetypes, the goal of which is to authorize its hero to say farewell to his ruler and homeland—a possibility denied by Shi jing poetics. A final section explores the relationship between the oppositional poetics of the “Li sao” and the rest of the Chu ci. The article concludes with some reflections on the limitations of the north–south model for historians of early Chinese literature.

Early Chinese texts make us witnesses to debates about the power, or lack thereof, that humans had over the course of events, the outcomes of their actions, and their own lives. In the midst of these discourses on the limits of the efficacy of human agency, the notion of ming 命 took a central position.

In this article, I present a common pattern of thinking about the relationship between the person and the world in early China. I call it the reifying pattern because it consisted in thinking about ming as a hypostasized entity with object-like features. Although external and independent, ming was not endowed with human qualities such as the capacities for empathy, responsivity, and intersubjectivity. The reification of fate implied an understanding of ming as an external, amoral, and determining force that limited humans without accepting intercommunication with them, thereby causing feelings of alienation, powerlessness, and existential incompetence.

I first show that the different meanings of ming hold a sense of prevailing external reality, and hence can be connected to the overarching meaning of fate. Then, I offer an account of the process of reification of fate in early China and its consequences, theoretical and practical, through cases study of received (Mengzi 孟子) and found (Tang Yu zhi dao 唐虞之道) texts. I end with some reflections on the implications of ming as a nonpersonal and nonsubjective type of actor for both early Chinese and twenty-first-century accounts of agency.

This article aims to illustrate the usefulness of analytical approaches to early Chinese writings which center on effects of textual memory. Due to a dearth of contemporaneous descriptions, concrete practices of oral transmission, dictation, performance, and interpretation in Early China largely lie beyond the ken of present-day scholarship. But recurrence of linguistic-stylistic elements testifies to the presence of these elements in an author's memory. Memory should thus, in principle, provide a comparatively accessible perspective on textual production. To demonstrate this point, the article investigates verbal parallels to a passage from Huainanzi 淮南子 15, “Bing lüe” 兵略 (An Overview of the Military). The internal and distributional patterns as well as the qualitative properties of textual overlaps with other extant writings suggest a composition process that involved a particular type of textual memory. Parallels are fuzzy and patchy; they rarely exceed one or two clauses; they display an irregular distribution across intertexts; the similarities between them cut across linguistic and stylistic categories and recombine in unpredictable constellations. This bundle of characteristics suggests not so much systematic exploitation of trained mnemonic capacities to reproduce long stretches of text verbatim, but instead, a reliance on the aptness of linguistic-stylistic elements of various kinds to spring to mind piecemeal in particular thematic contexts. These specificities are captured well by Boris Gasparov's notion of “communicative fragments.” To invoke an Aristotelian distinction, the resulting effects are close to those of unsupervised remembering rather than the deliberate, goal-directed cognitive activity of recollecting. Looking beyond the present study, it is hoped that future investigations of intertextuality will combine aspects of close reading—as in this article—and methods of digitally enhanced distant reading. This will likely help to elucidate distinct habits of text production and to devise more refined textual typologies, which might eventually feed into more nuanced literary, historical, and philosophical interpretations.

In this study I take men from Donghai, a region of northeast China, as a case study for examining models of success in the Western Han (206 b.c.e.–9 c.e.). Employing digital tools to mine data from The Grand Scribe's Records (Shi ji) and The History of the Western Han (Han shu), I explore the social networks and career patterns of men from a region that enjoyed a reputation for producing a remarkable number of high officials and celebrated Ru. I focus on three questions. First, what was the social mechanism that enabled people to distinguish themselves at both the local and the imperial levels? Second, did these celebrated men from Donghai serve as bridges connecting the local to the capital, directing resources back to their hometown and helping their local fellows achieve success? Third, did their positions in the central government remove them from local society by transforming them into capital-dwelling elites primarily concerned about the success of their families in the central court? In addressing these questions, I probe the dynamics between bureaucratic hierarchy, social networks, and the flow of talent and resources. I investigate various understandings of prestige and the strategies for climbing the ladder of success. Furthermore, I ask which forms of social prestige—for example, academic reputation, wealth, social networks—could bypass the hierarchical system imposed by the imperial bureaucracy, providing direct access to lofty positions. Did the patterns of success seen in the Donghai group reflect a bias built into the sources, constitute a regional variation, or provide a universal model for success in early imperial China?

While research on Warring States, Qin, and Han manuscripts is flourishing, much less is known about the use of manuscripts during the earlier stages of Chinese history, for which material evidence has not been preserved. Based on the layout features and textual anomalies in the Western Zhou bronze inscriptions, this article explores the traces of use of perishable writing supports in the process of the production of bronze inscriptions in this period and reconstructs their functions and physical qualities. Based on the surveyed evidence, the article posits that two distinct exemplar manuscripts were used in the inscription-making process: an original “master copy” that was kept aside for proofreading purposes and a secondary “blueprint” that was employed directly in the technical process of inscription-making. A single blueprint would be used consecutively by several craftsmen to produce a set of inscriptions on different types of vessels. The word count and layout of many inscriptions were already carefully planned during the process of their composition, and any study of a bronze text should therefore begin with the evaluation of its visual qualities. Moreover, this probe provides unambiguous evidence for the use of tube-lining in the inscription-making process and reconstructs the complete chaîne opératoire of bronze inscription production in the Late Western Zhou period. The article also offers insights into the level of literacy and the division of labor in bronze workshops, and touches upon the display function of bronze epigraphy during the Western Zhou period.