Hostname: page-component-586b7cd67f-rdxmf Total loading time: 0 Render date: 2024-11-28T06:38:45.081Z Has data issue: false hasContentIssue false

Poetry and psychiatry

Published online by Cambridge University Press:  02 January 2018

Iain McClure*
Affiliation:
Corn Centre, Vale of Leven Hospital, Alexandria, Dunbarton shire G83 0UA
Rights & Permissions [Opens in a new window]

Abstract

Type
The Columns
Creative Commons
Creative Common License - CCCreative Common License - BY
This is an Open Access article, distributed under the terms of the Creative Commons Attribution (CC-BY) license (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted re-use, distribution, and reproduction in any medium, provided the original work is properly cited.
Copyright
Copyright © 2002. The Royal College of Psychiatrists

Sir: Holmes' carefully-reasoned evaluation of the relationship between poetry and psychotherapy (Psychiatric Bulletin, April 2002, 26, 138-140) lends further support to the argument that the arts essentially complement our work in psychiatry and that a special interest group could be established by the College to promote this perspective, for the benefit of clinicians and patients alike.

The psychiatrist who is afraid of getting ‘wet’ (or appearing to be) is perhaps afraid of the uncertainty that all difficult endeavours, including scientific explorations, may reveal. The purpose of a special interest group in the arts would be to share versions of such uncertainty that psychiatric science may be less aware of and would hopefully serve to reduce the polarisation of psychiatric approach to the experience of mental illness, which Holmes has described.

Submit a response

eLetters

No eLetters have been published for this article.