Hostname: page-component-586b7cd67f-l7hp2 Total loading time: 0 Render date: 2024-11-23T17:22:18.466Z Has data issue: false hasContentIssue false
  • English
  • Français

Dialogue on Multimedia Resources, Music Education, and My People Tell Stories

Published online by Cambridge University Press:  11 January 2022

DANIELLE BROWN  and
LONÁN Ó BRIAIN
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Multimedia Reviews
Information
Yearbook for Traditional Music , Volume 53 , December 2021 , pp. 203 - 208
Copyright
© International Council for Traditional Music 2021

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Brown, Danielle. 2015. East of Flatbush, North of Love: An Ethnography of Home. New Orleans: My People Tell Stories.Google Scholar
Brown, Danielle. forthcoming. The Universal Lie: How the Erasure of Difference Perpetuates Inequities in Music. New Orleans: My People Tell Stories.Google Scholar
Gidal, Marc M. 2008. “Review Essay: YouTube.com for Ethnomusicology.” Yearbook for Traditional Music 40:210–212.Google Scholar
Hodgson, Thomas. 2021. “Spotify and the Democratisation of Music.” Popular Music 40(1):1–17.10.1017/S0261143021000064CrossRefGoogle Scholar
Miller, Terry E., and Shahriari, Andrew. 2018. World Music: A Global Journey. Fourth edition. New York: Routledge.10.4324/9781351176033CrossRefGoogle Scholar
Moore, Robin. 2009. Music in the Hispanic Caribbean: Experiencing Music, Expressing Culture. New York: Oxford University Press.Google Scholar
Trouillot, Michel-Rolph. 1995. Silencing the Past: Power and the Production of History. Boston, MA: Beacon Press.Google Scholar
Western, Tom. 2019. “Start the Forgetting Machine! A Review of Online Sound Archives of European Traditional Music.” Yearbook for Traditional Music 51:325–330.10.1017/ytm.2019.38CrossRefGoogle Scholar
Widdess, Richard.2020. Review of Histories of the Ephemeral, by Katherine Butler Schofield. Yearbook for Traditional Music 52:273–275.10.1017/ytm.2020.15CrossRefGoogle Scholar