Hostname: page-component-cd9895bd7-q99xh Total loading time: 0 Render date: 2024-12-26T05:46:58.919Z Has data issue: false hasContentIssue false
  • English
  • Français

Experimenting Musically with Democracy in Late Francoist and Post-Francoist Spain – EXPRESSION OF CONCERN

Published online by Cambridge University Press:  11 May 2023

IGOR CONTRERAS ZUBILLAGA
Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content. As you have access to this content, full HTML content is provided on this page. A PDF of this content is also available in through the ‘Save PDF’ action button.
Type
Expression of Concern
Information
Twentieth-Century Music , First View , pp. 1
Check for updates
Copyright
Copyright © The Author(s), 2023. Published by Cambridge University Press

The co-Editors in Chief have been alerted to concerns over missing attribution of text in this article. In particular, overlap has been identified with the Spanish-language version of Dr. Toya Solís Marquínez's thesis Academic music production during the Spanish transition into democracy (1975-1982): Debates, politics and outcomes (2020). Furthermore, the conceptual framing of several arguments in this article have extensive similarity to those presented in the thesis. The editors are therefore issuing this Expression of Concern whilst an investigation into this matter is ongoing.

References

ZUBILLAGA, IGOR CONTRERAS. 2023. «Experimenting Musically with Democracy in Late Francoist and Post-Francoist Spain». Twentieth-Century Music 20 (1): 23–48. doi:10.1017/S1478572222000457.CrossRefGoogle Scholar
MARQUÍNEZ, SOLIS, TOYA, ANA. 2020. «Creación musical académica en la transición democrática española (1975-1982): políticas, debates y realizaciones». University of Oviedo. Available at: https://digibuo.uniovi.es/dspace/handle/10651/57074.Google Scholar