Published online by Cambridge University Press: 14 February 2019
The conspicuous failure of folklife studies to progress far beyond the collection and classification of materials has been accompanied by a pervasive vagueness in terminology. A. L. Lloyd decries the imprecision of “folk” — “a gawky term suggesting English condescension or German soulfulness” — and Wiora suggests abandoning “ambiguous terms such as ‘folk’ and ‘folk song’ “ altogether. Maud Karpeles - a veteran of many terminological debates — concludes gloomily that “it is in the nature of the subject that we cannot draw up a precise scientific definition of folk song which will serve to differentiate it entirely from all other forms of music.” Scientific or not, this paper seeks to explore existing definitions and suggest alternatives.
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