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Folk Music in the Caste System of Nepal

Published online by Cambridge University Press:  14 February 2019

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Extract

Twelve years ago during the IFMC conference at Copenhagen, Arnold Bake gave an excellent paper on Nepalese folk music, which unfortunately appeared in the Journal of the IFMC only as a short summary. But even this brief summary shows the very complicated situation arising from the fact that in Nepal two communities, the Nevari and the Nepali, have lived together for two hundred years, each preserving more or less intact its own language and separate musical tradition as well as its own hierarchy of castes. These castes, because of their social separation, continue to keep pure their separate traditions. Hence, one cannot understand the different styles of Nepalese music in their cultural context without taking into account the caste system and its effect on the music.

Type
Research Article
Copyright
Copyright © 1971 By the Board of Trustees of the University of Illinois 

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References

1 Baké, Arnold, “Nepalese Folk Music,” Journal of the International Folk Music Council, X (1958), 50.Google Scholar

2 Helffer, M. and Macdonald, A. W., “Sur un Sârangi de Gâine,” Revue de Musée de l'Homme, VI, no. 2 (Summer, 1966), 133ff.Google Scholar

3 Curt Sachs, Reallexikon der Musikinstrumente (Hildesheim, 1964), p. 315.Google Scholar