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Tanya Merchant. Women Musicians of Uzbekistan: From Courtyard to Conservatory. Urbana: University of Illinois Press, 2015. 224 pp., 8 black and white photographs, notes, glossary, works cited, index. ISBN 978–0–252–03953–9 (hardcover). ISBN 978–0–252–08106–4 (paper).

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Tanya Merchant. Women Musicians of Uzbekistan: From Courtyard to Conservatory. Urbana: University of Illinois Press, 2015. 224 pp., 8 black and white photographs, notes, glossary, works cited, index. ISBN 978–0–252–03953–9 (hardcover). ISBN 978–0–252–08106–4 (paper).

Published online by Cambridge University Press:  06 December 2018

Saida Daukeyeva
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Type
Book Reviews
Information
Yearbook for Traditional Music , Volume 49 , 2017 , pp. 174 - 175
Copyright
Copyright © 2017 By The International Council for Traditional Music

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References

References Cited

Butler, Judith 1988 “Performative Acts of Gender Constitution: An Essay in Phenomenology and Feminist Theory.” Theatre Journal 40/4:519–31.Google Scholar
Mohanty, Chandra Talpade 1998 “Crafting Feminist Genealogies: On the Geography and Politics of Home, Nation, and Community.” In Talking Visions: Multicultural Feminism in a Transnational Age, ed. Ella Shohat, 485–500. Cambridge, MA: MIT Press.Google Scholar
Wenger, Etienne 1998 Communities of Practice: Learning, Meaning and Identity. Cambridge: Cambridge University Press.CrossRefGoogle Scholar