Hostname: page-component-586b7cd67f-dsjbd Total loading time: 0 Render date: 2024-12-01T02:22:12.011Z Has data issue: false hasContentIssue false
  • English
  • Français

Qat, Conversation, and Song: A Musical View of Yemeni Social Life

Published online by Cambridge University Press:  07 March 2019

Philip D. Schuyler
Get access Rights & Permissions [Opens in a new window]

Extract

When I chew qāt, I must listen to music. If there is no musician in the place where I am chewing, after I finish I go out and sit in my car and listen to the radio or a cassette, just so I can hear some singing.

Yemeni Public Health Worker

You know, I really don't like to listen to Ṣancāni song very much … except when I'm chewing qāt.

Government Official

Type
Research Article
Information
Yearbook for Traditional Music , Volume 29 , 1997 , pp. 57 - 73
Copyright
Copyright © 1997 By The International Council for Traditional Music

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Footnotes

1.

The field research for this paper was carried out in the Yemen Arab Republic (now the Republic of Yemen) over a period of eighteen months between July 1985 and August 1987. Research was supported by grants from the Fulbright-Hays Faculty Research Abroad program and the Career Development Program of Columbia University. Additional research and writing was carried out at the National Humanities Center, Research Triangle Park, North Carolina, under grants from the National Endowment for the Humanities and the Social Science Research Council. Follow-up research in the summer of 1997 was supported by the American Institute for Yemeni Studies.

References

References Cited

Caton, Steven C. 1990 “Peaks of Yemen I Summon“: Poetry as Cultural Practice in a North Yemeni Tribe. Berkeley: University of California Press.Google Scholar
Γanim, Mohammed cAbduh 1983 Šnicr al-γinā’ aṣ-ṣan cānī (The Poetry of Sanaānī Song). Beirut: Dar al-cAwda.Google Scholar
Kennedy, John G. 1987 The Flower of Paradise: The Institutionalized Use of the Drug Qat in North Yemen. Boston: D. Reidel Publishing Company.CrossRefGoogle Scholar
Lambert, Jean 1997 Le Médecine de l'Âme: Musique et musiciens dans la société citadine à Sanca’ (République du Yémen). Hommes et Musiques, Collections de la Société Française d'Ethnomusicologie. Nanterre: Société d'ethnologie.Google Scholar
Lewcock, Ronald 1986 The Old Walled City of Sanca'. Paris: Unesco.Google Scholar
Šaraf ad-Dīn, Moḥammed bn cAbdallah n.d. Dīwān mubayyatāt wa muwaššaḥāt (A Collection of Strophic Poems and Muwaššaḥat). Ṣancā': Dar al-Kalima.Google Scholar
Schuyler, Philip D. 1991 “Music and Tradition in Yemen.” Asian Music 22(1):51–71.CrossRefGoogle Scholar
Wehr, Hans 1966 A Dictionary of Modern Written Arabic. Edited by J. Milton Cowan. Ithaca, New York: Cornell University Press.Google Scholar
Weir, Shelagh 1985 Qāt in Yemen: Consumption and Sociaì Change. London: British Museum Publications.Google Scholar