Hostname: page-component-669899f699-swprf Total loading time: 0 Render date: 2025-05-01T19:03:24.908Z Has data issue: false hasContentIssue false
  • English
  • Français

Le maqâm irakien. Tradition de Bagdad. Hommage à Yusuf Omar (1918-1987). Two compact discs (ADD). Collection INEDIT W 260063. Recordings, commentary and photos by Schéhérazade Qassim Hassan. Accompanying notes in French and English (24 pp.) include photos, charts and song texts. Paris: Maison des Cultures du Monde, 1995.

Review products

Le maqâm irakien. Tradition de Bagdad. Hommage à Yusuf Omar (1918-1987). Two compact discs (ADD). Collection INEDIT W 260063. Recordings, commentary and photos by Schéhérazade Qassim Hassan. Accompanying notes in French and English (24 pp.) include photos, charts and song texts. Paris: Maison des Cultures du Monde, 1995.

Published online by Cambridge University Press:  07 March 2019

Ulrich Wegner
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Review
Information
Yearbook for Traditional Music , Volume 28 , 1996 , pp. 229 - 231
Copyright
Copyright © 1996 By The International Council for Traditional Music

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Article purchase

Temporarily unavailable

References

References Cited: —Literature—

Abu-Haidar, Farida 1988 “The Poetic Content of the Iraqi Maqam.” Journal of Arabic Literature 19(2):128–41.CrossRefGoogle Scholar
Baram, Amatzia 1991 Culture, History and Ideology in the Formation of Ba'thist Iraq, 1968-89. New York: St. Martin's Press.CrossRefGoogle Scholar
Hassan, Schéhérazade Qassim 1987 “Le makam irakien: structures et réalisations.” In L'improvisation dans les musiques de tradition orale. Bernard Lortat-Jacob, et. Ethnomusicologie 4. Paris: SELAF, 143–9.Google Scholar
1989 “Some Islamic Non-Arabic Elements of Influence on the Repertory of al-maqam al-'iraqi in Baghdad.” In Maqam-Raga-Zeilenmelodik. Konzeptionen und Prinzipien der Musikproduktion. Arbeitstagung der Study Group &maqam& beim International Council for Traditional Music vom 28. Juni bis 2. Juli 1988 in Berlin. Berlin: n.p., 148–55.Google Scholar
Touma, Habib Hassan 1996 The Music of the Arabs. New expanded edition. Portland, Oregon: Amadeus Press. English translation of Die Musik der Amber. Taschenbücher zur Musikwissenschaft 37. Internationales Institut für Vergleichende Musikstudien. Wilhelmshaven: Florian Noetzel, 1989.Google Scholar
Warkov, Esther 1986 “Revitalization of Iraqi-Jewish Instrumental Traditions in Israel: The Persistent Centrality of an Outsider Tradition.” Asian Music 17(2):9–31.CrossRefGoogle Scholar

—Records—

Arabian Music: Maqam. Recordings by Habib Hassan Touma, Radio Baghdad and Jacques Cloarec. Commentary by Habib Hassan Touma. UNESCO Collection Musical Sources. Modal Music and Improvisation VI, 3. Philips 6586 006. 1971.Google Scholar
Iraq. Makamat par l'ensemble al tchalghi al baghdadi et Yusuf Omar (chant). Recordings and commentary by Scheherazade Qassim Hassan. OCORA OCR 79. Reedited in 1985 under the same title in the series Musiques traditionnelles vivantes. III. Musiques d'art (Musiques savantes) as OCORA 588.633. 1972.Google Scholar