Hostname: page-component-586b7cd67f-vdxz6 Total loading time: 0 Render date: 2024-11-29T12:37:05.295Z Has data issue: false hasContentIssue false
  • English
  • Français

Improvisation in Alapana Performance: A Comparative View of Raga Shankarabharana

Published online by Cambridge University Press:  07 March 2019

Gayathri Rajapur Kassebaum
Get access Rights & Permissions [Opens in a new window]

Extract

Improvisation is an essential aspect of Indian music and Indian culture. It is evident not only in music but in the other arts, literature, and in the folk tradition. Improvisation is a continuous process that has flourished from the past to the present in India.

Type
Articles
Information
Yearbook for Traditional Music , Volume 19 , 1987 , pp. 45 - 64
Copyright
Copyright © 1987 by the International Council for Traditional Music

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

References Cited

Ayyanger, Ranganayaki 1965 Analysis of the Melodic and Formal Structure of Karnatak Kriti. M.A. thesis in music, University of Hawaii.Google Scholar
Chaitanya, Kabir 1974 Scale and Raga Identification in South Indian Classical Music. M.A. thesis in music, University of Hawaii.Google Scholar
Kassebaum, Gayathri R. 1975 Gamaka in Alapana Performance in Karnatak Music. M.A. thesis in music, University of Hawaii.Google Scholar
Parthasarathy, N.C. and Parthasarathy, Dwarka 1965 Ganakalabhodhini[Teaching the art of music]. Karnul: Balasaraswati Book Depo.Google Scholar
Powers, Harold 1959 The background of the South Indian raga system. Ph.D. dissertation in music, Princeton University.Google Scholar
Sambamoorthy, P. 1951 South Indian Music, Vol. V. Madras: The Indian Music Publishing House.Google Scholar
Sambamoorthy, P. 1963 South Indian Music, Vol. IV, 3rd ed. ibid.Google Scholar
Sambamoorthy, P. 1964 South Indian Music, Vol. III, 6th ed. ibid.Google Scholar
Smith, Barbara B., ed. 1972 “Some Sounds of Ethnic Music: A Guide for Listening; Music of India.” Music in World Cultures. Music Educators Journal 59:2:119–120. (October).Google Scholar
Subba Rao, T.V. 1962 Studies in Indian Music. Bombay: India Publishing House.Google Scholar
Viswanathan, T. 1977 “The Analysis of Raga Alapana in South Indian Music.” Asian Music 9:13–71.Google Scholar

Discography

Aiyer [Iyer], Semmangudi Srinivasa Dakshinamurti. The Music of India IV: Karnatak Music. UNESCO Collection—A Musical Anthology of the Orient. Bärenreiter BM 30L2009.Google Scholar
Subbulakshmi, M.S. Saroja dala netri. Classical Indian Music. Parlophone PMAE 501 (reissue: Odeon MOAE 147).Google Scholar
Viswanathan, T. Ragam-Tanam-Pallavi. Pallavi; South Indian Flute Music. Nonesuch Explorer Series H-72052.Google Scholar