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Folk Dance Collections and Folk Dance Research in Denmark and the Færoe Islands

Published online by Cambridge University Press:  07 March 2019

Lisbet Torp  and
Anca Giurchescu
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Extract

The aim of this article is to present a survey of the development and present stage of dance studies in Denmark. The presentation focuses on research and publications of scholarly work and on collections concerning folk and social dance. Thus, otherwise important studies on historical dance, dance reconstruction, Bournonville tradition and dance in education are only sporadically mentioned below and are generally not listed in the bibliography.

Type
Country Reports
Information
Yearbook for Traditional Music , Volume 25 , 1993 , pp. 126 - 135
Copyright
Copyright © 1993 by the International Council for Traditional Music

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References

Written source publications: Denmark and the Faeroe Islands

Christensen, Anders 1989 “De sidste 10 års danseindsamling med video ved Dansk Folkemindesamling” [The last 10 years’ Video Documentation of Dance by the Danish Folklore Archives]. Nordisk Forening för Folkdansforskning Brev 12: 5–10.Google Scholar
Demuth, Karen Marie and Thorkild, 1979 Mand⊘, Trindans—bryllupsskikke, danse—sange [Mand⊘, Trindans—Wedding Customs, Dances—Songs]. Seem Gamle Skoles Forlag.Google Scholar
Foreningen til Folkedansens Fremme 1901-79 19 booklets with dance descriptions and music from Bornholm, Fyn og Øerne, Hardsyssel, Lolland- Falster, Mors og Thy, M⊘n, Præst⊘ Amt, Randersegnen, Sjælland, Vejle Vesteregn, Vendsyssel og Læs⊘, Himmerland, Salling, S⊘nderjylland og Forskellige Egne. Copenhagen.Google Scholar
Foreningen til Folkedansens Fremme 1991 Håndbog over trin og udtryk i dansk folkedans [Handbook on Steps and Terminology in Danish Folk Dance]. Copenhagen.Google Scholar
Grüner-Nielsen, Hakon, ed. 1924 “Læs⊘folk i gamle dage. Folkelivsskildring efter trykte og utrykte kilder” [People from Laes⊘ in the old Times. A Folk-life description based on published and unpublished Sources]. Copenhagen.Google Scholar
Grüner-Nielsen, Hakon 1924 “Folkedanse” [Folk Dances]. In: Ibid., pp. 248–51.Google Scholar
Kristiansen, K.P. 1893 Fortegnelse over folkelige Danse [Survey of Folk Dances]. Ær⊘.Google Scholar
Folkedansere, Landsforeningen Danske 1979 Danske Folkedanseres Jubilæumsshrift 1929-79 [Danish Folk Dancers’ Jubilee Publication 1929-79]. Salling.Google Scholar
Olsen, Christian 1923-28 Garnie Danse fra Nordvest-Sjælland, I-III [Old Dances from North-West Zealand, I-III]. Torpelund pr. Eskelund.Google Scholar
Otterstr⊘m, C.F. 1909 “Om optegnelse af Folkedans og “Foreningen til Folkdansens Fremme” [On Folk Dance Notation and “The Association for the Dissemination of Folk Dance“]. Danmarks Folkeminder 4: 72–79.Google Scholar
Petersen, Poul 1884 Danse Album [Dance Album]. Copenhagen.Google Scholar
Christensen, Anders 1981 “Nogle ældre polkaformer, som endnu kan ses i levende tradition i Danmark” [Some old Polka Forms which can still be witnessed in living Tradition in Denmark]. Meddelelser fra Dansk Dansehistorisk arkiv 1: 56–61.Google Scholar
Christensen, Anders 1991 “Seksture og Trekanter”. In NOFOD Kollekolle Rapporten 1990, 47–52. Copenhagen: Nordisk Forum for Dansesforskning.Google Scholar
Gade, Viggo Balle and Ottosen, Sven E. 1981 Viggo Balle Gade, Spillemand og Smed. Albertslund.Google Scholar
Grüner-Nielsen, Hakon 1917 Vore ældste Folkedanse, Langdans og Polskdans [Our oldest Folk Dances, Langdans and Polskdans]. Danmarks Folkeminder 16.Google Scholar
Grüner-Nielsen, Hakon 1920 Folkelig Vals [Popular Waltz]. Danmarks Folkeminder 22. (photo reprint Copenhagen 1976).Google Scholar
Grüner-Nielsen, Hakon 1933 “Dans i Danmark” [Dance in Denmark]. Nordisk Kultur 24: 130–149.Google Scholar
Holm, Ralph and Vedel, Klaus, eds. 1946 Folkedansen i Danmark [Folk Dance in Denmark]. Copenhagen: Forlaget “Vort Land”.Google Scholar
Luihn, Astri 1980 L⊘royskur Dansur. Studier i sangdanstradisjonen på Fær⊘yene [Færoese Dance. Studies of the Song Dance Tradition on the Færoe Islands]. Trondheim: Rådet for folkemusikk og folkedans.Google Scholar
Ryslander, Judy 1985 “Gammeldanseforeniger i Danmark” [Gammeldans (Old Dance) Associations in Denmark]. Meddelelser fra Dansk Dansehistorisk Arkiv 4: 45–60.Google Scholar
Ryslander, Judy 1987 “Spillemandsmusik og Læs⊘danse” [Dance music and Dances from Læs⊘]. In Museumsforeningen for Læs⊘: 11-15, Læs⊘.Google Scholar
Schomacker, Judy Ryslander 1991 “Folkelige dansemilj⊘er i K⊘benhavn” [Popular Dance Milieus in Copenhagen]. Meddelelser fra Dansk Dansehistorisk Arkiv 10: 20–30, Copenhagen.Google Scholar
Thuren, Hjalmar 1901 Dans og Kvaddigtning på Fær⊘erne [Dance and Ballads in the Færoe Islands]. Copenhagen: Andr. Fred. H⊘st og S⊘n.Google Scholar
Thuren, Hjalmar 1902 “Tanz, Dichtung und Gesang auf den Färöern” [Dance, Poetry, and Song on the Faeroe Islands]. Sammelbände der Internationalen Musikgesellschaft 3: 222–69.Google Scholar
Thuren, Hjalmar 1908 Folkesangen paa Fær⊘erne [The Folksong in the Færoe Islands—with a Summary in German]. (F.F. Publications Northern Series no. 2.) Copenhagen: Andr. Fred. H⊘st & S⊘n.Google Scholar
Torp, Lisbet 1986 “'Hip Hop Dances'—their adoption and function among boys in Denmark from 1983-1984”. Yearbook for Traditional Music 18: 29–36.CrossRefGoogle Scholar
Urup, Henning 1975 “De danske ‘Polsk-danse’ belyst under anvendelse af komparativ koreografisk analyseteknik” [The Danish ‘Polish-dances’ examined by use of Comparative Choreographic Analysis]. Musik & forskning 1: 80–94. (English summary.)Google Scholar
Urup, Henning 1980a “Danish Couple-dances in Folk Tradition”. In Der altere Paartanz in Europa, Konferenzbericht, 21–27. Stockholm: Arkivet för folklig dans, Dansmuseet.Google Scholar
Urup, Henning 1980b “Spillemandsmusik og folkedans i Danmark omkring 1979— vilkårenes indflydelse” [Fiddler Music and Folk Dance in Denmark about 1979—Influence of the Circumstances]. In Nordisk Musik och Musikvetenskap under 1970-talet, en kongressreport, 202-10. Gothenburg.Google Scholar
Urup, Henning 1981 “Danseskolevirksomhed i Danmark” [Dancing School Activities in Denmark]. Meddelelser fra Dansk Dansehistorisk Arkiv 1: 11–23.Google Scholar
Urup, Henning 1983 “Dance Research in Denmark”. Dance Studies 7: 7–20.Google Scholar
Urup, Henning 1984 “Vals i Danmark og Valsen i norden” [Waltz in Denmark and the Waltz in Scandinavia]. Meddelelser fra Dansk Dansehistorisk Arkiv 3: 14–24.Google Scholar
Urup, Henning 1985 “Historisk danseforskning—metodeproblemer og kildemateriale” [Problems concerning Sources and Historical Dance Research]. Musik & Forskning 9: 5–26. (English summary.)Google Scholar
Urup, Henning 1988 “Om valsens introduktion i Danmark” [On the Introduction of Waltz in Denmark]. Meddelelser fra Dansk Dansehistorisk Arkiv 7: 15–20.Google Scholar
Urup, Henning; Sjönberg, Henry, Bakka, Egil, e.a. 1988 Gammeldans i Norden [Old-time Dances in Scandinavia]. Trondheim, Norway: Nordisk forening for folkedansforskning.Google Scholar
Urup, Henning 1991 “Danserekonstruktion som dansehistorisk metode” (Dance Reconstruction, a method for Dance History). In NOFOD Kollekolle Rapporten 1990: 111–121. Copenhagen: Nordisk Forum for Danseforskning.Google Scholar
Weensgård, Gertrud 1988 “Vals i Norden—Danmark—Fyn” [Waltz in Scandinavia—Denmark—Funen Island]. Meddelelser fra Dansk Dansehistorisk Arkiv 7: 32–49.Google Scholar
Giurchescu, Anca (only works published after her settlement in Denmark)Google Scholar
Giurchescu, Anca 1983 “The Process of Improvisation in Folk Dance”. Dance studies 7: 21–56.Google Scholar
Giurchescu, Anca 1984a “European Perspectives in Structural Analysis of Dance”. In Dance—a multicultural perspective. Report of the Third Study of Dance Conference (Janet Adshead, editor), 33–48. Guildford, England: University of Surrey.Google Scholar
Giurchescu, Anca 1984b “Danse et transe: les Cålusari. Interpretation d'un rituel Valaque”. Dialogue 12-13: 81–117.Google Scholar
Giurchescu, Anca 1985 “Dansen som kulturel udtryksform” [Dance as a cultural expression]. Humaniora 1983-84, 6: 191–197.Google Scholar
Giurchescu, Anca 1986 “Power and Charm. Interaction of Adolescent Men and Women in Traditional Settings”. Yearbook for Traditional Music 18: 37–46.Google Scholar
Giurchescu, Anca 1987 “The National Festival Song to Romania: Manipulation of Symbols in the Political Discourse”. In Symbols of Power. The Aesthetics of Political Legitimation in the Soviet Union and Eastern Europe (Claes Arvidsson, Lars Erik Blomqvist, editors), 163–171. Stockholm: University of Uppsala, Nordic Committee for Soviet and East European Studies.Google Scholar
Giurchescu, Anca 1988 “The Dance Discourse. Dance Suites and Dance Cycles of Romania and some other European Dance Cultures”. Dance studies 11: 9–71.Google Scholar
Giurchescu, Anca 1989 “A Question of Method: Contextual Analysis of Dancing at the Vlachs Hora in Denmark”. In The Dance Event: A Complex Cultural Phenomenon (Lisbet Torp, editor), 34–43. Copenhagen: ICTM Study Group on Ethnochoreology.Google Scholar
Giurchescu, Anca 1990 “Le cålus: procès de transformation d'un rituel roumain”. In Tradition et Histoire dans la culture populaire. Documents d'ethnologie régionale 2, 71–79. Grenoble: Centre Alpin et Rhodanien d'Ethnologie.Google Scholar
Giurchescu, Anca 1991 a “The Dance Symbol as a Means of Communication “. In NOFOD Kollekolle Rapporten 1990, 35–41. Copenhagen: Nordisk Forum for Dansesforskning.Google Scholar
Giurchescu, Anca 1991b “Methods of Research: Studying a Dance Event Among the Vlachs Living in Denmark”. In Proceedings of the Second British-Swedish Conference on Musicology: Ethnomusicology, Cambridge, 5-10 August 1989, 341-56 (Ann Buckley, Karl-Olof Edström & Paul Nixon, editors). Gothenburg: Department of Musicology, Gothenburg University.Google Scholar
Giurchescu, Anca 1991c “The Use of Traditional Symbols for Recasting the Present: A Case Study of Tourism in Romania”. Dance Studies 14: 47–63 (1990).Google Scholar
Giurchescu, Anca; Torp, Lisbet 1991 “Theory and Methods in Dance Research: A European Approach to the Holistic Study of Dance”. Yearbook for Traditional Music 23: 1–10.Google Scholar
Reynolds, William C. (only works published after his settlement in Denmark)Google Scholar
Reynolds, William C. 1988a “Dance in the ICTM.” ICTM Dance Newsletter 1: 3–6.Google Scholar
Reynolds, William C. 1988b “Scientific Criteria for judging Human Movement Notation Systems.” In Proceedings of the International Conference on Coordination Method of Dance Notation and Application, 166-74. Nanjing, P.R. China: Academy of Arts of China and the Nanjing Institute of Technology.Google Scholar
Reynolds, William C. 1989a “Where Do We Start in Describing a Dance Event. “ In The Dance Event: A Complex Cultural Phenomenon (Lisbet Torp, ed.), 115–17. Copenhagen: ICTM Study Group on Ethnochoreology.Google Scholar
Reynolds, William C. 1989b “Notation Requirements for Dances with Improvised Structures”. In Proceedings of the 16th Biennial Conference, Toronto, Canada, 21 July-10 August, 91–104. Columbus, Ohio: International Council of Kinetography Laban.Google Scholar
Reynolds, William C. 1990 “Film versus Notation for Dance: Basic Perceptual and Epistemological Differences.” In Proceedings of the Fifth Hong Kong International Dance Conference and Second International Congress on Movement Notation, Hong Kong, 15-28 July, 151–64. Hong Kong: Hong Kong Academy for Performing Arts.Google Scholar
Rossen, Jane Mink 1981a “Dans fra Mungiki (Bellona)” [Dance from Mungiki (Bellona)]. Musik & Forskning 7: 240–60.Google Scholar
Rossen, Jane Mink & Colbert, Margot Mink 1981b “Dance on Bellona, Solomon Islands: A Preliminary Study of Style and Concept.” Ethnomusicology 25(3): 447–66.CrossRefGoogle Scholar
Torp, Lisbet 1987 “European Chain and Round Dances—a Comparative Study”. Dance Studies 10: 13–48.Google Scholar
Torp, Lisbet 1988 “The Anastenaria (Nestinari) Ritual as Performed in the Village of Langadha, Thessaloniki, by Families Originating in Kosti Village in Bulgarian Thrace”. In Proceedings of the Second Congress on Bulgarian Studies, 312–317. Sofia: Bulgarian Academy of the Sciences.Google Scholar
Torp, Lisbet 1989 “The Dance Event and the Process of Transformation—A Case Study of the Anastenaria in Langadha, Greece”. In The Dance Event: A Complex Cultural Phenomenon, 74-80. (Proceedings of the 15th Symposium of the ICTM Study Group on Ethnochoreology) (Lisbet Torp ed.). Copenhagen: ICTM Study Group on Ethnochoreology.Google Scholar
Torp, Lisbet 1990 Chain and Round Dance Patterns—A Method For Structural Analysis and Its Application to European Material. Vol. 1–3. Copenhagen: Museum Tusculanum Press.Google Scholar
Torp, Lisbet 1991 “An Urban Milieu and Its Means of Expression: A Case Study of the Rebetika”. In Proceedings of the Second British-Swedish Conference on Musicology: Ethnomusicology, Cambridge, 5-10 August 1989. (Ann Buckley, Karl Olof Edström, Paul Nixon, eds.). Gothenburg: Department of Musicology, Gothenburg University.Google Scholar
Torp, Lisbet 1992 “Zorba's Dance: The Story of a Dance Illusion and Its Touristic Value”. Ethnografika: 107–10.Google Scholar
Torp, Lisbet 1993 “ ‘It's All Greek to Me'. The Invention of Pan-Hellenic Dances—And Other National Stories.” In Telling Reality. Folklore Studies in Memory of Bengt Holbek, 275-94. (Copenhagen Folklore Studies 1.) (NIF Publications 26.)Google Scholar
Torp, Lisbet and Giurchescu, Anca 1991 “Theory and Methods in Dance Research: A European Approach. Yearbook for Traditional Music 23: 1–10.Google Scholar
Christensen, Anders 1989 “De sidste 10 års danseindsamling med video ved Dansk Folkemindesamling” [The last 10 years’ Video Documentation of Dance by the Danish Folklore Archives]. Nordisk Forening för Folkdansforskning Brev 12: 5–10.Google Scholar
Demuth, Karen Marie and Thorkild, 1979 Mand⊘, Trindans—bryllupsskikke, danse—sange [Mand⊘, Trindans—Wedding Customs, Dances—Songs]. Seem Gamle Skoles Forlag.Google Scholar
Foreningen til Folkedansens Fremme 1901-79 19 booklets with dance descriptions and music from Bornholm, Fyn og Øerne, Hardsyssel, Lolland- Falster, Mors og Thy, M⊘n, Præst⊘ Amt, Randersegnen, Sjælland, Vejle Vesteregn, Vendsyssel og Læs⊘, Himmerland, Salling, S⊘nderjylland og Forskellige Egne. Copenhagen.Google Scholar
Foreningen til Folkedansens Fremme 1991 Håndbog over trin og udtryk i dansk folkedans [Handbook on Steps and Terminology in Danish Folk Dance]. Copenhagen.Google Scholar
Grüner-Nielsen, Hakon, ed. 1924 “Læs⊘folk i gamle dage. Folkelivsskildring efter trykte og utrykte kilder” [People from Laes⊘ in the old Times. A Folk-life description based on published and unpublished Sources]. Copenhagen.Google Scholar
Grüner-Nielsen, Hakon 1924 “Folkedanse” [Folk Dances]. In: Ibid., pp. 248–51.Google Scholar
Kristiansen, K.P. 1893 Fortegnelse over folkelige Danse [Survey of Folk Dances]. Ær⊘.Google Scholar
Folkedansere, Landsforeningen Danske 1979 Danske Folkedanseres Jubilæumsshrift 1929-79 [Danish Folk Dancers’ Jubilee Publication 1929-79]. Salling.Google Scholar
Olsen, Christian 1923-28 Garnie Danse fra Nordvest-Sjælland, I-III [Old Dances from North-West Zealand, I-III]. Torpelund pr. Eskelund.Google Scholar
Otterstr⊘m, C.F. 1909 “Om optegnelse af Folkedans og “Foreningen til Folkdansens Fremme” [On Folk Dance Notation and “The Association for the Dissemination of Folk Dance“]. Danmarks Folkeminder 4: 72–79.Google Scholar
Petersen, Poul 1884 Danse Album [Dance Album]. Copenhagen.Google Scholar
Christensen, Anders 1981 “Nogle ældre polkaformer, som endnu kan ses i levende tradition i Danmark” [Some old Polka Forms which can still be witnessed in living Tradition in Denmark]. Meddelelser fra Dansk Dansehistorisk arkiv 1: 56–61.Google Scholar
Christensen, Anders 1991 “Seksture og Trekanter”. In NOFOD Kollekolle Rapporten 1990, 47–52. Copenhagen: Nordisk Forum for Dansesforskning.Google Scholar
Gade, Viggo Balle and Ottosen, Sven E. 1981 Viggo Balle Gade, Spillemand og Smed. Albertslund.Google Scholar
Grüner-Nielsen, Hakon 1917 Vore ældste Folkedanse, Langdans og Polskdans [Our oldest Folk Dances, Langdans and Polskdans]. Danmarks Folkeminder 16.Google Scholar
Grüner-Nielsen, Hakon 1920 Folkelig Vals [Popular Waltz]. Danmarks Folkeminder 22. (photo reprint Copenhagen 1976).Google Scholar
Grüner-Nielsen, Hakon 1933 “Dans i Danmark” [Dance in Denmark]. Nordisk Kultur 24: 130–149.Google Scholar
Holm, Ralph and Vedel, Klaus, eds. 1946 Folkedansen i Danmark [Folk Dance in Denmark]. Copenhagen: Forlaget “Vort Land”.Google Scholar
Luihn, Astri 1980 L⊘royskur Dansur. Studier i sangdanstradisjonen på Fær⊘yene [Færoese Dance. Studies of the Song Dance Tradition on the Færoe Islands]. Trondheim: Rådet for folkemusikk og folkedans.Google Scholar
Ryslander, Judy 1985 “Gammeldanseforeniger i Danmark” [Gammeldans (Old Dance) Associations in Denmark]. Meddelelser fra Dansk Dansehistorisk Arkiv 4: 45–60.Google Scholar
Ryslander, Judy 1987 “Spillemandsmusik og Læs⊘danse” [Dance music and Dances from Læs⊘]. In Museumsforeningen for Læs⊘: 11-15, Læs⊘.Google Scholar
Schomacker, Judy Ryslander 1991 “Folkelige dansemilj⊘er i K⊘benhavn” [Popular Dance Milieus in Copenhagen]. Meddelelser fra Dansk Dansehistorisk Arkiv 10: 20–30, Copenhagen.Google Scholar
Thuren, Hjalmar 1901 Dans og Kvaddigtning på Fær⊘erne [Dance and Ballads in the Færoe Islands]. Copenhagen: Andr. Fred. H⊘st og S⊘n.Google Scholar
Thuren, Hjalmar 1902 “Tanz, Dichtung und Gesang auf den Färöern” [Dance, Poetry, and Song on the Faeroe Islands]. Sammelbände der Internationalen Musikgesellschaft 3: 222–69.Google Scholar
Thuren, Hjalmar 1908 Folkesangen paa Fær⊘erne [The Folksong in the Færoe Islands—with a Summary in German]. (F.F. Publications Northern Series no. 2.) Copenhagen: Andr. Fred. H⊘st & S⊘n.Google Scholar
Torp, Lisbet 1986 “'Hip Hop Dances'—their adoption and function among boys in Denmark from 1983-1984”. Yearbook for Traditional Music 18: 29–36.CrossRefGoogle Scholar
Urup, Henning 1975 “De danske ‘Polsk-danse’ belyst under anvendelse af komparativ koreografisk analyseteknik” [The Danish ‘Polish-dances’ examined by use of Comparative Choreographic Analysis]. Musik & forskning 1: 80–94. (English summary.)Google Scholar
Urup, Henning 1980a “Danish Couple-dances in Folk Tradition”. In Der altere Paartanz in Europa, Konferenzbericht, 21–27. Stockholm: Arkivet för folklig dans, Dansmuseet.Google Scholar
Urup, Henning 1980b “Spillemandsmusik og folkedans i Danmark omkring 1979— vilkårenes indflydelse” [Fiddler Music and Folk Dance in Denmark about 1979—Influence of the Circumstances]. In Nordisk Musik och Musikvetenskap under 1970-talet, en kongressreport, 202-10. Gothenburg.Google Scholar
Urup, Henning 1981 “Danseskolevirksomhed i Danmark” [Dancing School Activities in Denmark]. Meddelelser fra Dansk Dansehistorisk Arkiv 1: 11–23.Google Scholar
Urup, Henning 1983 “Dance Research in Denmark”. Dance Studies 7: 7–20.Google Scholar
Urup, Henning 1984 “Vals i Danmark og Valsen i norden” [Waltz in Denmark and the Waltz in Scandinavia]. Meddelelser fra Dansk Dansehistorisk Arkiv 3: 14–24.Google Scholar
Urup, Henning 1985 “Historisk danseforskning—metodeproblemer og kildemateriale” [Problems concerning Sources and Historical Dance Research]. Musik & Forskning 9: 5–26. (English summary.)Google Scholar
Urup, Henning 1988 “Om valsens introduktion i Danmark” [On the Introduction of Waltz in Denmark]. Meddelelser fra Dansk Dansehistorisk Arkiv 7: 15–20.Google Scholar
Urup, Henning; Sjönberg, Henry, Bakka, Egil, e.a. 1988 Gammeldans i Norden [Old-time Dances in Scandinavia]. Trondheim, Norway: Nordisk forening for folkedansforskning.Google Scholar
Urup, Henning 1991 “Danserekonstruktion som dansehistorisk metode” (Dance Reconstruction, a method for Dance History). In NOFOD Kollekolle Rapporten 1990: 111–121. Copenhagen: Nordisk Forum for Danseforskning.Google Scholar
Weensgård, Gertrud 1988 “Vals i Norden—Danmark—Fyn” [Waltz in Scandinavia—Denmark—Funen Island]. Meddelelser fra Dansk Dansehistorisk Arkiv 7: 32–49.Google Scholar
Giurchescu, Anca (only works published after her settlement in Denmark)Google Scholar
Giurchescu, Anca 1983 “The Process of Improvisation in Folk Dance”. Dance studies 7: 21–56.Google Scholar
Giurchescu, Anca 1984a “European Perspectives in Structural Analysis of Dance”. In Dance—a multicultural perspective. Report of the Third Study of Dance Conference (Janet Adshead, editor), 33–48. Guildford, England: University of Surrey.Google Scholar
Giurchescu, Anca 1984b “Danse et transe: les Cålusari. Interpretation d'un rituel Valaque”. Dialogue 12-13: 81–117.Google Scholar
Giurchescu, Anca 1985 “Dansen som kulturel udtryksform” [Dance as a cultural expression]. Humaniora 1983-84, 6: 191–197.Google Scholar
Giurchescu, Anca 1986 “Power and Charm. Interaction of Adolescent Men and Women in Traditional Settings”. Yearbook for Traditional Music 18: 37–46.Google Scholar
Giurchescu, Anca 1987 “The National Festival Song to Romania: Manipulation of Symbols in the Political Discourse”. In Symbols of Power. The Aesthetics of Political Legitimation in the Soviet Union and Eastern Europe (Claes Arvidsson, Lars Erik Blomqvist, editors), 163–171. Stockholm: University of Uppsala, Nordic Committee for Soviet and East European Studies.Google Scholar
Giurchescu, Anca 1988 “The Dance Discourse. Dance Suites and Dance Cycles of Romania and some other European Dance Cultures”. Dance studies 11: 9–71.Google Scholar
Giurchescu, Anca 1989 “A Question of Method: Contextual Analysis of Dancing at the Vlachs Hora in Denmark”. In The Dance Event: A Complex Cultural Phenomenon (Lisbet Torp, editor), 34–43. Copenhagen: ICTM Study Group on Ethnochoreology.Google Scholar
Giurchescu, Anca 1990 “Le cålus: procès de transformation d'un rituel roumain”. In Tradition et Histoire dans la culture populaire. Documents d'ethnologie régionale 2, 71–79. Grenoble: Centre Alpin et Rhodanien d'Ethnologie.Google Scholar
Giurchescu, Anca 1991 a “The Dance Symbol as a Means of Communication “. In NOFOD Kollekolle Rapporten 1990, 35–41. Copenhagen: Nordisk Forum for Dansesforskning.Google Scholar
Giurchescu, Anca 1991b “Methods of Research: Studying a Dance Event Among the Vlachs Living in Denmark”. In Proceedings of the Second British-Swedish Conference on Musicology: Ethnomusicology, Cambridge, 5-10 August 1989, 341-56 (Ann Buckley, Karl-Olof Edström & Paul Nixon, editors). Gothenburg: Department of Musicology, Gothenburg University.Google Scholar
Giurchescu, Anca 1991c “The Use of Traditional Symbols for Recasting the Present: A Case Study of Tourism in Romania”. Dance Studies 14: 47–63 (1990).Google Scholar
Giurchescu, Anca; Torp, Lisbet 1991 “Theory and Methods in Dance Research: A European Approach to the Holistic Study of Dance”. Yearbook for Traditional Music 23: 1–10.Google Scholar
Reynolds, William C. (only works published after his settlement in Denmark)Google Scholar
Reynolds, William C. 1988a “Dance in the ICTM.” ICTM Dance Newsletter 1: 3–6.Google Scholar
Reynolds, William C. 1988b “Scientific Criteria for judging Human Movement Notation Systems.” In Proceedings of the International Conference on Coordination Method of Dance Notation and Application, 166-74. Nanjing, P.R. China: Academy of Arts of China and the Nanjing Institute of Technology.Google Scholar
Reynolds, William C. 1989a “Where Do We Start in Describing a Dance Event. “ In The Dance Event: A Complex Cultural Phenomenon (Lisbet Torp, ed.), 115–17. Copenhagen: ICTM Study Group on Ethnochoreology.Google Scholar
Reynolds, William C. 1989b “Notation Requirements for Dances with Improvised Structures”. In Proceedings of the 16th Biennial Conference, Toronto, Canada, 21 July-10 August, 91–104. Columbus, Ohio: International Council of Kinetography Laban.Google Scholar
Reynolds, William C. 1990 “Film versus Notation for Dance: Basic Perceptual and Epistemological Differences.” In Proceedings of the Fifth Hong Kong International Dance Conference and Second International Congress on Movement Notation, Hong Kong, 15-28 July, 151–64. Hong Kong: Hong Kong Academy for Performing Arts.Google Scholar
Rossen, Jane Mink 1981a “Dans fra Mungiki (Bellona)” [Dance from Mungiki (Bellona)]. Musik & Forskning 7: 240–60.Google Scholar
Rossen, Jane Mink & Colbert, Margot Mink 1981b “Dance on Bellona, Solomon Islands: A Preliminary Study of Style and Concept.” Ethnomusicology 25(3): 447–66.CrossRefGoogle Scholar
Torp, Lisbet 1987 “European Chain and Round Dances—a Comparative Study”. Dance Studies 10: 13–48.Google Scholar
Torp, Lisbet 1988 “The Anastenaria (Nestinari) Ritual as Performed in the Village of Langadha, Thessaloniki, by Families Originating in Kosti Village in Bulgarian Thrace”. In Proceedings of the Second Congress on Bulgarian Studies, 312–317. Sofia: Bulgarian Academy of the Sciences.Google Scholar
Torp, Lisbet 1989 “The Dance Event and the Process of Transformation—A Case Study of the Anastenaria in Langadha, Greece”. In The Dance Event: A Complex Cultural Phenomenon, 74-80. (Proceedings of the 15th Symposium of the ICTM Study Group on Ethnochoreology) (Lisbet Torp ed.). Copenhagen: ICTM Study Group on Ethnochoreology.Google Scholar
Torp, Lisbet 1990 Chain and Round Dance Patterns—A Method For Structural Analysis and Its Application to European Material. Vol. 1–3. Copenhagen: Museum Tusculanum Press.Google Scholar
Torp, Lisbet 1991 “An Urban Milieu and Its Means of Expression: A Case Study of the Rebetika”. In Proceedings of the Second British-Swedish Conference on Musicology: Ethnomusicology, Cambridge, 5-10 August 1989. (Ann Buckley, Karl Olof Edström, Paul Nixon, eds.). Gothenburg: Department of Musicology, Gothenburg University.Google Scholar
Torp, Lisbet 1992 “Zorba's Dance: The Story of a Dance Illusion and Its Touristic Value”. Ethnografika: 107–10.Google Scholar
Torp, Lisbet 1993 “ ‘It's All Greek to Me'. The Invention of Pan-Hellenic Dances—And Other National Stories.” In Telling Reality. Folklore Studies in Memory of Bengt Holbek, 275-94. (Copenhagen Folklore Studies 1.) (NIF Publications 26.)Google Scholar
Torp, Lisbet and Giurchescu, Anca 1991 “Theory and Methods in Dance Research: A European Approach. Yearbook for Traditional Music 23: 1–10.Google Scholar