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Ancient Tunes Hidden in Modern Gongche Notation

Published online by Cambridge University Press:  07 March 2019

Huang Xiangpeng  and
Joseph S.C. Lam
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Extract

In recent years, I have been concentrating on the identification and verification of ancient tunes and ancient music theories of China. These studies are involved and difficult tasks, but still their research procedures are known and clearly defined. However, on first encounter, people often react to these studies with skepticism.

Type
Articles
Information
Yearbook for Traditional Music , Volume 24 , 1992 , pp. 8 - 13
Copyright
Copyright © 1992 by the International Council for Traditional Music

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Footnotes

*

A brief note on the translation is necessary. Professor Huang Xiangpeng's article includes many technical and idiomatic details. Many of these details are clarified with brief interpolations in the translation which is aimed at general readership outside Chinese music specialists. All other technical and idiomatic details are either summarized or omitted.

This is a revised version of a paper read at the 31st ICTM World Conference in Hong Kong in July 1991.

References

References Cited

Xiangpeng, Huang 1988 “A Discussion on the Preservation and Development of Chinese Traditional Music.” Musicology in China.Google Scholar
1990 Chuantong shi yitiaohe [Tradition Flows Like A River]. Beijing: Renmin yinyue chubanshe.Google Scholar
1991 “Liangsong huyi lixiang yiyin chutan” [A Preliminary Study on Musical Relics from the Foreign Quarters of the Two Song Dynasties]. Zhongguo wenhua.Google Scholar