Hostname: page-component-cd9895bd7-jkksz Total loading time: 0 Render date: 2024-12-25T08:23:23.987Z Has data issue: false hasContentIssue false

Dance and the Concept of Style

Published online by Cambridge University Press:  07 March 2019

Extract

The use of the term “style” in relation to dance is a term we all use, but seldom explore its myriad meanings and implications. In this paper I will attempt to clarify my own usage of the term and how it relates to other terms, such as dance, form, and structure. These slippery terms are used by all of us, as if we agree on what they mean. Here, I want to explore what they might, or could, mean.

Type
Articles
Copyright
Copyright © 2001 by the International Council for Traditional Music

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

References Cited

Feld, Steven 1988 Aesthetics as iconicity of style, or ‘lift-up-over sounding': Getting into the Kaluli groove. Yearbook for Traditional Music 74113.Google Scholar
Gibbons, Betsey Goodling 1997 A prismatic approach to the analysis of style in dance. Dance. Current Selected Research 3: 119–44.Google Scholar
IFMC Study Group for Folk Dance Terminology 1974 Foundations for the analysis of the structure and form of folk dance: A syllabus. Yearbook of the IFMC 6: 115–35.Google Scholar
Holquist, Michael 1983 Answering as authoring: Mikhail Bakhtin's trans-linguistics. Critical Inquiry 10(2): 307–19.CrossRefGoogle Scholar
Hutchinson Guest, Ann 1998 Style in dance. In Proceedings of the twenty-first annual conference of the Society of Dance History Scholars, comp. Linda J. Tomko, 211-3. Riverside: University of California.Google Scholar
Hymes, Dell 1974 Foundations in sociolinguistics: An ethnographic approach. Philadelphia: University of Pennsylvania Press.Google Scholar
Kaeppler, Adrienne L. 1967 The structure of Tongan dance. Unpublished Ph.D. Dissertation, Anthropology Department, University of Hawaii.Google Scholar
Kaeppler, Adrienne L. 1972 Method and theory in analyzing dance structure with an analysis of Tongan dance. Ethnomusicology 16(2): 173217.CrossRefGoogle Scholar
Kaeppler, Adrienne L. 1985 Structured movement systems in Tonga. In Society and the dance: The social anthropology of performance and process, ed. Paul Spencer, 92-118. Cambridge University Press.Google Scholar
Kaeppler, Adrienne L. 1986 Cultural analysis, linguistic analogies, and the study of dance in anthropological perspective. In Explorations in ethnomusicology: Essays in honor of David P. McAllester, ed. Charlotte J. Frisbie. Detroit Monographs in Musicology 9: 2533.Google Scholar
Kaeppler, Adrienne L. 1991 Memory and knowledge in the production of dance. In Images of memory, on remembering and representation, ed. Susanne Kuchler and Walter Melion, 109-120. Smithsonian Institution Press.Google Scholar
Kaeppler, Adrienne L. 1993 Hula Pahu Hawaiian drum dances. Volume l. Ha'a and Hula Pahu: Sacred Movements. Honolulu: Bishop Museum.Google Scholar
Schapiro, Meyer 1962 Style. In Anthropology today: Selections, ed. Tax, Sol, 278303. Chicago: The University of Chicago Press.Google Scholar