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Between Faqīr and Fankār? Sounding Complex Subjectivities through Shah Jo Rāg in Sindh, Pakistan

Published online by Cambridge University Press:  18 December 2020

HUANG PEI-LING
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Abstract

Rāgī faqīrs are devotees who perform Shah Jo Rāg, a musical tradition for singing Sufi poetry at the shrine of poet-mystic Shāh ‘Abdul Latīf Bhiṭṭāī (1689–1752) in Sindh, Pakistan. Focusing on the life experiences of my teacher Manthār Faqīr, I historicise various subject positions that contemporary rāgī faqīrs refer to as faqīr (devotee), fankār (performing artist), kārīgar (skilled artisan), and artist. Through Manthār Faqīr’s performances, I analyse sonic manifestations of his complex subjectivities that at times shift, at times coexist, to demonstrate how he deploys sounded strategies emerging from different subject positions to balance devotion, artistry, legitimacy, and livelihood.

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Articles
Information
Yearbook for Traditional Music , Volume 52 , November 2020 , pp. 41 - 67
Copyright
© International Council for Traditional Music 2020

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