Aaron A Fox. Real Country: Music and Language in Working-Class Culture.Durham and London: Duke University Press, 2004. xv, 363 pp., black and white photographs, notes on transcription conventions, endnotes, bibliographic references, index of song titles, general index.

David B. Pruett

doi:10.1017/S0740155800012194

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Aaron A Fox. Real Country: Music and Language in Working-Class Culture.Durham and London: Duke University Press, 2004. xv, 363 pp., black and white photographs, notes on transcription conventions, endnotes, bibliographic references, index of song titles, general index.

Volume 40
David B. Pruett
DOI: https://doi.org/10.1017/S0740155800012194

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Aaron A Fox. Real Country: Music and Language in Working-Class Culture.Durham and London: Duke University Press, 2004. xv, 363 pp., black and white photographs, notes on transcription conventions, endnotes, bibliographic references, index of song titles, general index.

Volume 40
David B. Pruett
DOI: https://doi.org/10.1017/S0740155800012194

To save this article to your Google Drive account, please select one or more formats and confirm that you agree to abide by our usage policies. If this is the first time you used this feature, you will be asked to authorise Cambridge Core to connect with your Google Drive account. Find out more about saving content to Google Drive.

Aaron A Fox. Real Country: Music and Language in Working-Class Culture.Durham and London: Duke University Press, 2004. xv, 363 pp., black and white photographs, notes on transcription conventions, endnotes, bibliographic references, index of song titles, general index.

Volume 40
David B. Pruett
DOI: https://doi.org/10.1017/S0740155800012194

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Aaron A Fox. Real Country: Music and Language in Working-Class Culture.Durham and London: Duke University Press, 2004. xv, 363 pp., black and white photographs, notes on transcription conventions, endnotes, bibliographic references, index of song titles, general index.

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Aaron A Fox. Real Country: Music and Language in Working-Class Culture.Durham and London: Duke University Press, 2004. xv, 363 pp., black and white photographs, notes on transcription conventions, endnotes, bibliographic references, index of song titles, general index.

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