Hostname: page-component-745bb68f8f-cphqk Total loading time: 0 Render date: 2025-01-11T22:08:48.320Z Has data issue: false hasContentIssue false
  • English
  • Français

THE WELL-BELOVED: THOMAS HARDY'S MANIFESTO OF “REGIONAL AESTHETICS”

Published online by Cambridge University Press:  01 March 2008

Yvonne Bezrucka
Yvonne Bezrucka*
Affiliation:
University of Verona
Get access Rights & Permissions [Opens in a new window]

Extract

The Pursuit of the Well-Beloved was first published in serial instalments (from 1 October to 17 December1892) with illustrations by Water Paget; see Figure 6) in the Illustrated London News and were published simultaneously with the same title in the American magazine Harper's Bazar. It then appeared in book form, with substantial revisions, as The Well-Beloved: A Sketch of a Temperament in 1897, and was, in fact, the last of Hardy's novels to appear (Jude the Obscure being published in 1895).

Type
Research Article
Information
Victorian Literature and Culture , Volume 36 , Issue 1 , March 2008 , pp. 227 - 245
Copyright
Copyright © Cambridge University Press 2008

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

WORKS CITED

Allingham, Philip V. Commentary on the “Bannerhead for Hardy's The Pursuit of the Well-Beloved.” 10 Feb. 2004. <http://www.victorianweb.org/art/illustration/paget/bannerhead.html>..' href=https://scholar.google.com/scholar?q=Allingham,+Philip+V.+Commentary+on+the+“Bannerhead+for+Hardy's+The+Pursuit+of+the+Well-Beloved.”+10+Feb.+2004.+.>Google Scholar
Arnold, Matthew. Essays in Criticism. First Series. New York: Chelsea House, 1983 [1865].Google Scholar
Barrell, John. “Geographies of Hardy's Wessex.” Journal of Historical Geography 8.4 (1982): 347–61.CrossRefGoogle Scholar
Beer, Gillian. Darwin's Plots: Evolutionary Narrative in Darwin, George Eliot and Nineteenth-Century Fiction. London: Ark, 1983.Google Scholar
Bezrucka, Yvonne. Genio ed immaginazione nel Settecento inglese. Valdonega: Università di Verona, 2002.Google Scholar
Bezrucka, Yvonne. “L'estetica di ‘To the Lighthouse’: la tentazione della bellezza astratta e il rifiuto delle ‘strane indicazioni’.” Quaderni del Dipartimento di Letterature Straniere Moderne dell'Università di Genova 7 (1994): 291–315.Google Scholar
Bezrucka, Yvonne. Oggetti e collezioni nella letteratura inglese dell'Ottocento. Trento: A.r.e.s., 2004.Google Scholar
Bezrucka, Yvonne. “Regionalismo e antiregionalismo: Thomas Hardy e V.S. Naipaul.” Regionalismo e antiregionalismo. Trento: Luoghi/Edizioni, 1999. 99–116.Google Scholar
Bezrucka, Yvonne. “Thomas Hardy's The Woodlanders: Tradition, Heritage and Identity.” Textus 20 (2007): 293–308.Google Scholar
Bezrucka, Yvonne. “Virginia Woolf's Artists: the Influence on her Work of the Aesthetics of Roger Fry and Clive Bell.” Diss. London: RHBNC, 1993.Google Scholar
Bhabha, Homi. “DissemiNation: Time, Narrative, and the Margins of the Modern Nation.” Nation and Narration. Ed. Bhabha, Homi. London: Routledge, 1990. 291–322.Google Scholar
Bindella, Maria Teresa. Scena e figura nella poesia di Thomas Hardy. Pisa: Pacini, 1979.Google Scholar
Björk, Lennart A. The Literary Notes of Thomas Hardy. Göteborg: Acta Universitatis Gothoburgensis. 1974. Vol. I: Notes and Text.Google Scholar
Bronfen, Elisabeth. Over Her Dead Body. Death, Femininity and the Aesthetic. Manchester: Manchester UP, 1992.Google Scholar
Bullen, J. B.The Expressive Eye. Fiction and Perception in the Work of Thomas Hardy. Oxford: Clarendon, 1986.Google Scholar
Butler, Judith. Bodies that Matter: On the Discursive Limits of Sex. London: Routledge, 1993.Google Scholar
Chai, Leon. Aestheticism: The Religion of Art in Post-Romantic Literature. Columbia: Columbia UP, 1990.Google Scholar
Culler, Johnathan. On Deconstruction, Theory and Criticism after Structuralism. London: Routledge, 1983.Google Scholar
Darby, Henry Clifford. “The Regional Geography of Thomas Hardy's Wessex.” Geographical Review 38 (1948): 426–43.CrossRefGoogle Scholar
De Faveri, Franco. “Anatomia del ‘regionalismo critico’”, Luoghi, Anno 2.4 (1996): 44–52.Google Scholar
De Faveri, Franco. Sublimità e bellezza. Alle basi dell'estetica architettonica moderna. Milano: CittàStudi, 1992.Google Scholar
De Faveri, Franco. “Superfluità e sovrabbondanza dello stile”. Stile. Ed. Franzini, Elio, Ugo, Vittorio. Milano: Guerini, 1997. 41–54.Google Scholar
Derrida, Jacques. Writing and Difference. Trans. Bass, A.. London: Routledge, 1978.Google Scholar
Devereux, Paul. Patriarchy and Its Discontents. Sexual Politics in Selected Novels and Stories of Thomas Hardy. London: Routledge, 2003.Google Scholar
Dijkstra, Bram. Idols of Perversity: Fantasies of Feminine Evil in Fin-de-Siècle Culture. Oxford: Oxford UP, 1989.Google Scholar
Doyle, Arthur Conan. “Lot No. 249.” Round the Red Lamp. Being Facts and Fancy of Medical Life. London: Methuen 1894.Google Scholar
Fowles, John. Wormholes. Essays and Occasional Writings, New York: H. Holt, 1998.Google Scholar
Frampton, Kenneth. “Towards a Critical Regionalism: Six Points for an Architecture of Resistance”. Postmodern Culture. Ed. Foster, Hal. London: Pluto, 1985 [1983]. 16–30.Google Scholar
Gatrell, Simon. Thomas Hardy's Vision of Wessex. Basingstoke: Palgrave, Macmillan, 2003.CrossRefGoogle Scholar
Geikie, Archibald. Elementary Lessons in Physical Geography. London: Macmillan, 1887.Google Scholar
Gilmour, Robert. “Regional and Provincial in Victorian Literature.” The Literature of Region and Nation. Ed. Draper, Ronald P.. Basingstoke: Macmillan, 1989.Google Scholar
Gould, Stephen Jay. Time's Arrow, Time's Cycle. Myth and Metaphor in the Discovery of Geological Time. London: Penguin, 1990 [1987].Google Scholar
Guérard, Albert Joseph, ed. Hardy. A Collection of Critical Essays. Englewood Cliffs: Prentice-Hall, 1963.Google Scholar
Grundy, Joan. Hardy and the Sister Arts. London: Macmillan, 1979.CrossRefGoogle Scholar
Hardy, Barbara. The Appropriate Form. An Essay on the Novel. London: Athlone, 1964.Google Scholar
Hardy, Florence Emily. The Life of Thomas Hardy 1840–1928. London: Macmillan, 1970 [1962].Google Scholar
Hardy, Thomas. Far From the Madding Crowd. Harmondsworth: Penguin, 1985 [1874].Google Scholar
Hardy, Thomas. Jude the Obscure. London: Dent, 1985 [1895].Google Scholar
Hardy, Thomas. The Mayor of Casterbridge. Oxford: Oxford UP, 1987 [1886].Google Scholar
Hardy, Thomas. Moments of Vision and Miscellaneous Verses. London: Macmillan, 1917.Google Scholar
Hardy, Thomas. A Pair of Blue Eyes. Harmondsworth: Penguin, 1986 [1873].Google Scholar
Hardy, Thomas. Poems of the Past and the Present. New York and London: Harper & Brothers, 1902 [1891].Google Scholar
Hardy, Thomas. The Pursuit of the Well-Beloved and The Well-Beloved. Ed. Ingham, Patricia. London: Penguin, 1997 [1892, 1895].Google Scholar
Hardy, Thomas. The Return of the Native. London: Bantam, 1989 [1878].Google Scholar
Hardy, Thomas. Tess of the D'Urbervilles. Oxford: Oxford UP, 1989 [1891].Google Scholar
Healey, Frank George. “Proust and Hardy – An Update.” The Thomas Hardy Society Review 10 (May 1994): 51–57.Google Scholar
Hetherington, Tony. “Introduction.” The Well-Beloved. Oxford: Oxford UP, 1998 [1986].Google Scholar
Himmelfarb, Gertrude. Victorian Minds. A Study of Intellectuals in Crisis and Ideologies in Transition. Chicago: Elephant, 1995 [1968].Google Scholar
Huxley, Thomas Henry. Physiography: an Introduction to the Study of Nature. London: Macmillan, 1877.Google Scholar
Hyde, W. J.“Hardy's View of Realism: A Key to the Rustic Characters.” Victorian Studies 2 (1958–59): 45–49.Google Scholar
Ingham, Patricia. “Hardy and ‘The Wonders of Geology’.” The Review of English Studies 31.121 (Febr. 1980): 59.CrossRefGoogle Scholar
Johnson, S. F.“Hardy and Burke's ‘Sublime’.” Style in Prose Fiction (1958): 55–86.Google Scholar
Ledger, Sally, and Luckhurst, Roger. The Fin de Siècle. A Reader in Cultural History c. 1880–1900. Oxford: Oxford UP, 2000.Google Scholar
Loesberg, Jonathan. Aestheticism and Deconstruction: Pater, Derrida, and De Man. Princeton: Princeton UP, 1991.CrossRefGoogle Scholar
Macfie, Alexander Lyon, ed. Orientalism: A Reader. New York: New York UP, 2000.Google Scholar
Malchow, Howard Leroy. Gothic Images of Race in Nineteenth-Century Britain. Stanford: Stanford UP, 1996.Google Scholar
Miller, Joseph Hillis. Fiction and Repetition. Seven English Novels. London: Blackwell, 1982.Google Scholar
Miller, Joseph Hillis. Introduction. The Well Beloved. London: Macmillan, 1976.Google Scholar
Miller, Joseph Hillis. Thomas Hardy: Distance and Desire. Cambridge: Harvard UP, 1970.Google Scholar
Mirzoeff, Nicholas. Bodyscape. Art, Modernity and the Ideal Figure. London: Routledge, 1995.Google Scholar
Morgan, Rosemarie. Women and Sexuality in the Novels of Thomas Hardy. London: Routledge, 1986.Google Scholar
Mulvey, Laura. Fetishism and Curiosity. London: British Film Institute, 1996.Google Scholar
Mulvey, Laura. Vision and Other Pleasures. Bloomington: Indiana UP, 1989.CrossRefGoogle Scholar
Norberg-Schulz, Christian. Genius Loci: Towards a Phenomenology of Architecture. London: Academy, 1980.Google Scholar
Page, Norman. “Art and Aesthetics.” The Cambridge Companion to Thomas Hardy. Ed. Kramer, Dale. Cambridge: Cambridge UP, 1999. 38–53.CrossRefGoogle Scholar
Page, Norman, ed., Reader's Companion to Hardy. Oxford: Oxford UP, 2000.Google Scholar
Pater, Walter. “The Doctrine of Plato”. Plato and Platonism. A Series of Lectures. London: Macmillan, 1934 [1893].Google Scholar
Pater, Walter. The Renaissance. Oxford: Oxford UP, 1986 [1873].Google Scholar
Pite, Ralph. Hardy's Geography. Wessex and the Regional Novel. Basingstoke: Palgrave, 2002.CrossRefGoogle Scholar
Plato. The Dialogues of Plato. Trans. Jowett, Benjamin. 4 vols. Oxford: Oxford UP, 1871.Google Scholar
Plotinus. The Enneads. Penguin: London, 1991.Google Scholar
Priestly, A.“Hardy's ‘The Well-Beloved’: A Study in Failure.” The Thomas Hardy Society Review 1. 2 (1976): 50–59.Google Scholar
Psomiades, Kathy Alexis. Beauty's Body: Femininity and Representation in British Aestheticism. Stanford: Stanford UP, 1997.Google Scholar
Richardson, Alan. and Hofkosch, Sonia, eds. Romanticism Race and Imperial Culture: 1780–1834. Bloomington: Indiana UP, 1996.Google Scholar
Said, Edward. Orientalism: Western Conception of the Orient. London: Penguin, 1995 [1985].Google Scholar
Shelley, Percy Bysshe. The Complete Poetical Works of Percy Bysshe Shelley. Ed. Hutchinson, Thomas. Vol. I. Oxford: Oxford UP, 1914.Google Scholar
Sontag, Susan. Against Interpretations and Other Essays. New York: Farrar Straus Giroux, 1966 [1961].Google Scholar
Spivak, Gayatry Chakravorty. “Can the Subaltern Speak?” Marxism and the Interpretation of Culture. Ed. Nelson, Cary and Grossberg, Lawrence. Urbana: Illinois UP, 1988. 271–313.Google Scholar
Thomas, Jane. “Introduction.” The Well-Beloved. Ware, Herefordshire: Wordsworth, 2000.Google Scholar
Vigar, Penelope. The Novels of Thomas Hardy: Illusion and Reality. London: Athlone, 1974.Google Scholar
Von Meiss, Pierre. Elements of Architecture: From Form to Place. London: Spon, 1990.Google Scholar
Weismann, August. Essays upon Heredity and Kindred Biological Problems. Oxford: Clarendon UP, 1889.CrossRefGoogle Scholar
Wickens, G. Glen. Thomas Hardy, Monism, and the Carnival Tradition: The One and the Many in ‘The Dynasts. Toronto: Toronto UP, 2002.CrossRefGoogle Scholar
Woolf, Virginia. A Room Of One's Own. London: Grafton, 1987 [1929].Google Scholar
Zabel, Morton Dauwen. “Hardy in Defense of his Art: The Aesthetic of Incongruity.” Hardy. A Collection of Critical Essays. Ed. Guérard, Albert Joseph. Englewood Cliffs: Prentice-Hall, 1963. 24–45.Google Scholar