Hostname: page-component-745bb68f8f-s22k5 Total loading time: 0 Render date: 2025-01-11T22:12:54.519Z Has data issue: false hasContentIssue false
  • English
  • Français

NO “LAND WITHOUT MUSIC” AFTER ALL

Published online by Cambridge University Press:  14 April 2004

Ruth A. Solie
Ruth A. Solie
Affiliation:
Smith College
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
REVIEW ESSAYS
Information
Victorian Literature and Culture , Volume 32 , Issue 1 , March 2004 , pp. 261 - 276
Copyright
© 2004 Cambridge University Press

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

WORKS CONSIDERED

Clapp-Itnyre Alisa. 2002 Angelic Airs, Subversive Songs: Music as Social Discourse in the Victorian Novel. Athens: Ohio UP
Dibble Jeremy, and Bennett Zon, eds. 2002 Nineteenth-Century British Music Studies. Vol. 2. Aldershot: Ashgate
Frogley Alain. “Rewriting the Renaissance: History, Imperialism, and British Music since 1840.” Music & Letters 84 (2003): 241–57.
Gehring Albert. 1910 The Basis of Musical Pleasure, Together with a Consideration of the Opera Problem. New York: G. P. Putnam's
Gillett Paula. 2000 Musical Women in England, 1870–1914: “Encroaching on All Man's Privileges.” New York: St. Martin's P
Hoppen K. Theodore. 1998 The Mid-Victorian Generation, 1846–1886. Oxford: Clarendon,
Hughes Meirion. 2002 The English Musical Renaissance and the Press 1850–1914: Watchmen of Music. Aldershot: Ashgate
Hughes Meirion, and R. A. Stradling. 1993 The English Musical Renaissance, 1860–1940: Construction and Deconstruction. London: Routledge
Richards Jeffrey. 2001 Imperialism and Music: Britain 1876–1953. Manchester: Manchester UP
Russell Dave. 1997 Popular Music in England, 1840–1914: A Social History. 2nd ed. Manchester: Manchester UP
Schmitz Oscar A. H. 1914 Das Land ohne Musik: Englische Gesellschaftsprobleme. Munich:
Weliver Phyllis. 2000 Women Musicians in Victorian Fiction, 1860–1900: Representations of Music, Science and Gender in the Leisured Home. Aldershot: Ashgate
Zon Bennett. 2000 Music and Metaphor in Nineteenth-Century British Musicology. Aldershot: Ashgate
Zon Bennett, ed. 1999 Nineteenth-Century British Music Studies. Aldershot: Ashgate