Hostname: page-component-586b7cd67f-t7fkt Total loading time: 0 Render date: 2024-11-23T21:30:23.778Z Has data issue: false hasContentIssue false
  • English
  • Français

MEMSAHIBS AND THE “SUNNY EAST”: REPRESENTATIONS OF BRITISH INDIA BY MILLICENT DOUGLAS PILKINGTON AND BERYL WHITE

Published online by Cambridge University Press:  07 March 2012

Renate Dohmen
Renate Dohmen*
Affiliation:
University of Louisiana at Lafayette
Get access Rights & Permissions [Opens in a new window]

Extract

Millicent Pilkington, the daughter of a Lancashire industrialist in her early twenties, arrived in India in December 1893 and returned to England December 1894. We know about her trip, or her Year's Frivol in the Sunny East as she calls it, from the sumptuous album orné or commonplace book she compiled filling it with water colour sketches, photographs, autographs, dinner invitations, newspaper clippings, etc. The material is carefully arranged over forty-five album pages, is often framed by elaborate, hand-painted decorative borders, many of them in an Indian style. We know of the album because it was deposited in the Centre for South Asian Studies at Cambridge University by a descendant.

Type
Research Article
Information
Victorian Literature and Culture , Volume 40 , Issue 1 , March 2012 , pp. 153 - 177
Copyright
Copyright © Cambridge University Press 2012

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

WORKS CITED

Bailey, F. M. “1903 Diary.” MSS Eur F 157/197, British Lib., London.Google Scholar
Barringer, T. J., Quilley, Geoff, and Fordham, Douglas. Art and the British Empire. Manchester: Manchester UP, 2007.Google Scholar
Bermingham, Ann. “The Picturesque and Ready-to-Wear Femininity.” Ed. Copley and Garside. 81–119.Google Scholar
Bush, Barbara. “Gender and Empire: The Twentieth Century.” Gender and Empire. Ed. Levine, Philippa. Oxford: Oxford UP, 2007. 77–111.CrossRefGoogle Scholar
Butler, Judith. Gender Trouble: Feminism and the Subversion of Identity. New York: Routledge, 1990.Google Scholar
Buzard, James. “Victorian Women and the Implications of Empire.” Victorian Studies 36.4 (1993): 443–53.Google Scholar
Casteras, Susan P. “With Palettes, Pencils and Parasols: Victorian Women Artists Traverse the Empire.” Ed. Jordana Pomeroy. 11–25.CrossRefGoogle Scholar
Chambers, Deborah. “Family as Place: Family Photograph Albums and the Domestication of Public and Private Space.” Picturing Place: Photography and the Geographical Imagination. Ed. Schwartz, Joan M. and Ryan, James R.. London: I. B. Tauris, 2003. 96–114.Google Scholar
Collingham, E. M.Imperial Bodies: The Physical Experience of Raj, c. 1800–1947. Cambridge: Polity, 2001.Google Scholar
Copley, Stephen, and Garside, Peter, eds. The Politics of the Picturesque: Literature, Landscape, and Aesthetics since 1770. Cambridge: Cambridge UP, 1994.Google Scholar
Crary, Jonathan. Techniques of the Observer: On Vision and Modernity in the Nineteenth Century. Cambridge: MIT, 1990. PrintGoogle Scholar
Di Bello, Patrizia. Women's Albums and Photography in Victorian England. Ladies, Mothers and Flirts. Aldershot: Ashgate, 2007.Google Scholar
Ghose, Indira. Women Travellers in Colonial India: The Power of the Female Gaze. Oxford: Oxford UP, 1998.Google Scholar
Glipin, William. Observations on the River Wye. London: R. Blamire, 1789.Google Scholar
Hart, Janice. “The Family Treasure: Productive and Interpretative Aspects of the Mid to Late Victorian Photograph Album.” The Photographic Collector 5.2: 164–80.Google Scholar
Higonnet, Anne. “Secluded Vision. Images of Feminine Experience in Nineteenth-Century Europe.” The Expanding Discourse: Feminism and Art History. Ed. Broude, Norma and Garrard, Mary D.. Oxford: Westview, 1992. 171–85.Google Scholar
Higonnet, Anne. “Secluded Vision. Images of Feminine Experience in Nineteenth-Century Europe.” Radical History Review 38 (1987). 16–36.Google Scholar
Irwin, Francina. “Amusement or Instruction? Watercolour Manuals and the Woman Amateur.” Women in the Victorian Art World. Ed. Orr, Clarissa Campbell. Manchester: Manchester UP, 1995. 149–66.Google Scholar
Irwin, Francina. “Lady Amateurs and Their Masters in Scott's Edinburgh.” Connoisseur 187 (1974): 230–37.Google Scholar
Jaeger, Jens. “Picturing Nations: Landscape Photography and National Identity in Britain and Germany in the Mid-Nineteenth Century.” Picturing Place: Photography and the Geographical Imagination. Ed. Ryan, James R. and Schwartz, Joan M.. London: I B Tauris, 2003. 115–17.Google Scholar
Jones, Vivien. “‘The Coquetry of Nature’: Politics and the Picturesque in Women's Fiction.” Ed. Copley and Garside. 81–119.Google Scholar
Kenny, Judith T. “Climate, Race, and Imperial Authority: The Symbolic Landscape of the British Hill Station in India.” Annals of the Association of American Geographers 85 4 (Dec. 1995): 694–714.CrossRefGoogle Scholar
Lalvani, Suren. Photography, Vision and the Production of Modern Bodies. New York: State U of New York P, 1996.Google Scholar
Levine, Philippa. Gender and Empire. The Oxford History of the British Empire. Oxford: Oxford UP, 2004.Google Scholar
Mills, Sara. “Knowledge, Gender, Empire.” Writing Women and Space. Eds. Blunt, Alison and Rose, Gillian. New York: Guilford, 1994. 29–50.Google Scholar
Parry, Benita. Delusions and Discoveries: Studies on India in the British Imagination 1880–1930. BerkeleyU of California P, 1972.Google Scholar
Penny, Fanny. The Swami's Curse. London: Hodder and Stoughton, 1922.Google Scholar
Pilkington? Descendants of the Founders. N. p., n. d., Centre for South Asian Studies, Cambridge.Google Scholar
Pomeroy, Jordana, ed. Intrepid Women: Victorian Artists Travel. Aldershot: Ashgate, 2005.Google Scholar
Pratapaditya, Pal, and Dehejia, Vidya. From Merchants to Emperors: British Artists and India. 1757–1930. Ithaca: Cornell UP, 1986.Google Scholar
Pritchard, Ada. The Life and Work of Prof Pritchard: Memoirs of His Life Compiled by His Daughter Ada Pritchard. London: Seeley, 1897.Google Scholar
Ryan, James R. Picturing Empire: Photography and the Visualization of the British Empire. London: Reaktion Books, 1997.Google Scholar
Sachko Macleod, Dianne. “Introduction: Women's Artistic Passages.” Ed. Jordana Pomeroy. 1–9.CrossRefGoogle Scholar
Schaffer, Talia. “Playing with Pictures: The Art of Victorian Photocollage.” Victorian Literature and Culture 39.1 (2011): 284–91.Google Scholar
Schivelbusch, Wolfgang. The Railway Journey: The Industrialization of Time and Space in the Nineteenth Century. The University of California Press: Berkeley, 1986Google Scholar
Sen, Indrani. Woman and Empire: Representations in the Writings of British India (1858–1900). New Delhi: Orient Longman, 2002.Google Scholar
Sharpe, Jenny. Allegories of Empire. The Figure of Woman in the Colonial Text. Minnesota: U of Minnesota P, 1993.Google Scholar
Siegel, Elizabeth, Di Bello, Patrizia, and Weiss, Marta Rachel. Playing with Pictures. The Art of Victorian Photocollage. Chicago: The Art Institute of Chicago; New Haven: Yale UP, 2009.Google Scholar
Sloan, Kim. “Industry from Idleness? The Rise of the Amateur in the Eighteenth Century.” Prospects for the Nation. Recent Essays in British Landscape 1750–1880. Ed. Rosenthal, Michael, Payne, Christina, and Wilcox, Scott. Paul Mellon Centre for Studies in British Art, Yale Centre for British Art. New Haven: Yale UP, 1997. 285–305.Google Scholar
Sloan, Kim. A Noble Art. Amateur Artists and Drawing Masters C 1600–1800. London: British Museum Press, 2000.Google Scholar
Strain, Ellen. “Exotic Bodies, Distant Landscapes: Touristic Viewing and Popularized Anthropology in the Nineteenth Century.” Wide Angle 18 2 (April 1996) 70–100.CrossRefGoogle Scholar
Suleri, Sara. The Rhetoric of English India. Chicago: U of Chicago P, 1992.CrossRefGoogle Scholar
Warner, Marina. “Parlour Made.” Creative Camera Apr/May (1992): 29–32.Google Scholar
White, John Claude. Sikhim & Bhutan. 1909. Twenty-One Years on the North-East Frontier. Delhi: Low Price Publications, 1999.Google Scholar