Published online by Cambridge University Press: 01 March 2009
Most readers either overlook or dismiss John Ruskin's climbs in the Alps as being insignificant compared to his avid interest in geology and mountain form. However, I want to suggest that Ruskin's climbing – his physical and kinetic relationship to the mountains – is essential to his understanding of them. His numerous and repeated ascents in the lower Alps were not always easy: in fact, they were often tough and sometimes dangerous. Through a few select examples, in the first part of the essay, I establish just how difficult many of these scrambles were so that I may proceed, in the body of the paper, to talk about how these strenuous experiences influenced his way of seeing the mountain landscape he admired, and how, in turn, they helped shape his concept of imperfect vision.