Hostname: page-component-78c5997874-v9fdk Total loading time: 0 Render date: 2024-11-03T08:54:33.939Z Has data issue: false hasContentIssue false
  • English
  • Français

VICTORIANS LIVE

Published online by Cambridge University Press:  01 March 2008

Herbert Sussman
Get access Rights & Permissions [Opens in a new window]

Extract

Victorians Live examines the afterlife of the Victorians, the ways that Victorian literature and culture remain alive, continue to live in our own day.

“‘Modern Life’ – with a Vengeance”: William Powell Frith at the Guildhall Art Gallery

TIMOTHY BARRINGER

Birth of the Bestseller

HERBERT SUSSMAN

Type
Review Essay
Information
Victorian Literature and Culture , Volume 36 , Issue 1 , March 2008 , pp. 255 - 267
Copyright
Copyright © Cambridge University Press 2008

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

WORKS CONSIDERED

Arscott, Caroline. “Classification and the Crowd.” Bills, and Knight, eds. 79–94.Google Scholar
Arscott, Caroline. Modern Life Subjects in British Painting, 1840–1860. Diss. Department of Fine Art, Leeds U, 1987.Google Scholar
Arscott, Caroline. “Ramsgate Sands, Modern Life and the Shoring-Up of Narrative.” Towards a Modern Art World. Ed. Allen, B.. New Haven: Yale UP, 1995.Google Scholar
Barringer, Tim. Men at Work: Art and Labour in Victorian Britain. New Haven: Yale UP, 2005.Google Scholar
Baudelaire, C.The Painter of Modern Life and Other Essays. Trans. Mayne, J.. 2nd ed. London: Phaidon, 1995.Google Scholar
Begemann, Egbert Haverkamp. Rembrandt, the Nightwatch. Princeton: Princeton UP, 1982.CrossRefGoogle Scholar
Benjamin, Walter. “Paris: Capital of the Nineteenth Century.” Perspectiva 12 (1969): 163–72.Google Scholar
Bills, Mark, and Knight, Vivien, eds. William Powell Frith: Painting the Victorian Age. New Haven: Yale UP, 2006.Google Scholar
Clark, T. J.The Painting of Modern life: Paris in the Art of Manet and his Followers. New York: Knopf, 1985.Google Scholar
Cowling, Mary. The Artist as Anthropologist: The Representation of Type and Character in Victorian Art. Cambridge: Cambridge UP, 1989.Google Scholar
Knight, Vivien. “The Private Life of William Powell Frith.” Bills, and Knight, , eds. 1–28.Google Scholar
Maas, Jeremy. Victorian Painters. London: Barrie and Rockliffe, 1969.Google Scholar
Merrill, Linda. A Pot of Paint: Aesthetics on Trial in Whistler v. Ruskin. Washington DC: Smithsonian Institution, 1992.CrossRefGoogle Scholar
Purbrick, Louise. “Introduction.” The Great Exhibition of 1851: New Interdisciplinary Essays. Ed. Purbrick, Louise. Manchester: Manchester UP, 2001. 1–25.Google Scholar
Sickert, Walter Richard. “The Derby Day.” Burlington Magazine (1922): 276–79.Google Scholar
Trotter, David. “Dickens and Frith.” Bills, and Knight, , eds. 29–40.Google Scholar
Wood, Christopher. William Powell Frith: A Painter and his World. London: Sutton, 2006.Google Scholar