Published online by Cambridge University Press: 09 March 2006
IN THE MELODRAMATIC FINAL MOMENTS of Charles Dickens's Oliver Twist, Bumble the ex-beadle is exposed for helping to obliterate Oliver's patrimony. When he attempts to shift the blame for his unlawful actions onto Mrs. Bumble, Mr. Brownlow will not allow such a move because, as Brownlow declares, “‘in the eye of the law’” the husband is the “‘more guilty of the two…for the law supposes that [his] wife acts under [his] direction’” (335; ch. 51). While a model of oppressive officialdom and petty tyranny in his public life, Bumble is no match for the termagant he has married; and the revelation of his private humiliation leads him to reply: “‘If that's the eye of the law, the law's a bachelor’” (335; ch. 51). It is easy to dismiss Bumble's assertion that the “law's a bachelor” as an instance of Dickensian wit, but this essay contends that Oliver Twist is a serious exploration of the “bachelor law.” Specifically, it explores one aspect of the New Poor Laws that did favor Britain's bachelors– the bastardy clause.