Notes on Contributors
Notes on Contributors
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- 24 May 2021, p. 159
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Article
The Historiography of the Twentieth-Century Classical Performer: Life, Work, Artistry
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- 25 January 2021, pp. 161-184
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The Political Force of Musical Actants: Grooves, Pleasures, and Politics in Havana D'Primera's ‘Pasaporte’ Live in Havana
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- 15 February 2021, pp. 185-222
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Contemporary Art and the Problem of Music: Towards a Musical Contemporary Art
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- 15 February 2021, pp. 223-248
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Matrices of ‘Love and Theft’: Joan Baez Imitates Bob Dylan
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- 30 April 2021, pp. 249-279
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Ontological Appropriation: Boulez and Artaud
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- 30 April 2021, pp. 281-310
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Review
K. E. Goldschmitt, Bossa Mundo: Brazilian Music in Transnational Media Industries (New York: Oxford University Press, 2019), ISBN: 978-0-19-092352-5 (hb), 978-0-19-092353-2 (pb).
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- 05 May 2021, pp. 311-316
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Marianna Ritchey, Composing Capital: Classical Music in the Neoliberal Era (Chicago and London: University of Chicago Press, 2019), ISBN: 978-0-226-64006-8 (cloth), ISBN: 978-0-226-64023-5 (pb)
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- 28 April 2021, pp. 317-322
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Makis Solomos, From Music to Sound: The Emergence of Sound in 20th- and 21st-Century Music, Routledge Research in Music (Abingdon: Routledge, 2020), ISBN: 978-0-367-19213-6 (hbk)
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- 24 May 2021, pp. 323-327
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Erratum
Afterword: The Expense of Exclusion – US Musicology and Popular Music – ERRATUM
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- 24 May 2021, p. 329
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Front Cover (OFC, IFC) and matter
TCM volume 18 issue 2 Cover and Front matter
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- 24 May 2021, pp. f1-f3
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Back Cover (IBC, OBC) and matter
TCM volume 18 issue 2 Cover and Back matter
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- 24 May 2021, p. b1
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