Hostname: page-component-cd9895bd7-dk4vv Total loading time: 0 Render date: 2024-12-25T17:13:51.379Z Has data issue: false hasContentIssue false
  • English
  • Français

Marina Frolova-Walker and Jonathan Walker, Music and Soviet Power 1917–1932. (Woodbridge: The Boydell Press, 2012), ISBN 978-1-843-83703-9 (hb). - Alexander Ivashkin and Andrew Kirkman, eds, Contemplating Shostakovich: Life, Music and Film. (Farnham: Ashgate, 2012), ISBN 978-1-4094-3937-0 (hb).

Published online by Cambridge University Press:  16 May 2014

PAULINE FAIRCLOUGH
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Reviews
Information
Twentieth-Century Music , Volume 11 , Issue 1: Transcription , March 2014 , pp. 177 - 182
Copyright
Copyright © Cambridge University Press 2014 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Groys, Boris, The Total Art of Stalinism: Avant-Garde, Aesthetic Dictatorship, and Beyond (New York: Verso Books, 2011), 8Google Scholar.