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Published online by Cambridge University Press: 10 March 2017
1 Sterne, Jonathan, MP3: The Meaning of a Format (Durham, NC: Duke University Press, 2012)CrossRefGoogle Scholar; Sterne, Jonathan, ‘The MP3 as Cultural Artifact’, New Media & Society 8/5 (2006), 825–42;CrossRefGoogle Scholar and Starosielski, Nicole, The Undersea Network (Durham, NC: Duke University Press, 2015)CrossRefGoogle Scholar.
2 See, for instance, his comprehensive introduction to the field, Sterne, Jonathan, ed., The Sound Studies Reader (London: Routledge, 2012)Google Scholar.
3 Sterne, MP3, 11.
4 Sterne, MP3, 194–6.
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6 Sterne, ‘The MP3 as Cultural Artifact’, 828.
7 Herbert, Ruth, ‘Modes of Listening and Modes of Subjectivity in Everyday Life’, Journal of Sonic Studies 2/1 (2012)Google Scholar, http://journal.sonicstudies.org/vol02/nr01/a05 (accessed 1 September 2016); Kassabian, Anahid, Ubiquitous Listening: Affect, Attention, and Distributed Subjectivity (Berkeley: University of California Press, 2013)Google Scholar.
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11 Bull, Michael, Sound Moves: iPod Culture and Urban Experience (New York: Routledge, 2008)Google Scholar; Hirschkind, Charles, The Ethical Soundscape: Cassette Sermons and Islamic Counterpublics (New York: Columbia University Press, 2006)Google Scholar; Taylor, Timothy D., Strange Sounds: Music, Technology, and Culture (New York: Routledge, 2001)Google Scholar.