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Gavin Steingo, Kwaito's Promise: Music and the Aesthetics of Freedom in South Africa (Chicago: University of Chicago Press, 2016), ISBN 978-0-226-36240-3 (hb), ISBN 978-0-226-36254-0 (pb).
Published online by Cambridge University Press: 15 August 2018
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References
1 On utopian transcendence, see Bloch, Ernst, The Principle of Hope, 3 vols., trans. Plaice, Neville, Plaice, Steven, and Knight, Paul (Cambridge, MA: MIT Press, 1938–47; repr., 1986)Google Scholar; Dolan, Jill, ‘Performance, Utopia, and the “Utopian Performative”’, Theatre Journal 53/3 (2001), 455–79CrossRefGoogle Scholar; Dyer, Richard, ‘Entertainment and Utopia’, Movie 24 (1977), 2–13Google Scholar; Jameson, Fredric, ‘Reification and Utopia in Mass Culture (1979)’, in Signatures of the Visible (New York: Routledge, 1990), 11–46Google Scholar; Muñoz, José Esteban, Cruising Utopia: The Then and There of Queer Futurity (New York: New York University Press, 2009)Google Scholar.
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3 Some examples of recent studies that tackle politics and aesthetics in music: Guilbault, Jocelyne, ‘Discordant Beats of Pleasure Amidst Everyday Violence: The Cultural Work of Party Music in Trinidad’, MUSICultures 38 (2011), 7–26Google Scholar; ‘Politics of Ethnomusicological Knowledge Production and Circulation’, Ethnomusicology 58/2 (2014), 321–6; Henriques, Julian, Sonic Bodies: Reggae Sound Systems, Performance Techniques, and Ways of Knowing (New York: Continuum, 2011)Google Scholar; Manabe, Noriko, The Revolution Will Not Be Televised: Protest Music after Fukushima (New York: Oxford University Press, 2015)Google Scholar; Stokes, Martin, The Republic of Love: Cultural Intimacy in Turkish Popular Music (Chicago: University of Chicago Press, 2010)CrossRefGoogle Scholar.
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6 Rancière, ‘Thinking between Disciplines’, 3.
7 For an overview of this debate, with an emphasis on Bourdieu and Rancière, see Sonderegger, Ruth, ‘Negative Versus Affirmative Critique: On Pierre Bourdieu and Jacques Rancière’, in Conceptions of Critique in Modern and Contemporary Philosophy, ed. de Boer, Karin and Sonderegger, Ruth (London: Palgrave Macmillan UK, 2012)Google Scholar.
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