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Allan F. Moore, Song Means: Analysing and Interpreting Recorded Popular Song (Farnham: Ashgate, 2012, ISBN 978-1-4094-2864-0 (hb), 978-1-4094-3802-1 (pb).

Published online by Cambridge University Press:  16 May 2014

JAY SUMMACH
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Reviews
Information
Twentieth-Century Music , Volume 11 , Issue 1: Transcription , March 2014 , pp. 183 - 188
Copyright
Copyright © Cambridge University Press 2014 

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References

1 Moore, Allan F., Rock: The Primary Text (Buckingham: Open University Press, 1993)Google Scholar.

2 Johnson, Mark, The Body in the Mind: The Bodily Basis of Meaning, Imagination, and Reason (Chicago: Chicago University Press, 1987)Google Scholar; Gibson, James J., The Senses Considered as Perceptual Systems (Boston: Houghton Mifflin, 1966)Google Scholar and The Ecological Approach to Visual Perception (London: Lawrence Erlbaum, 1979); Clarke, Eric, Ways of Listening (Oxford: Oxford University Press, 2005)CrossRefGoogle Scholar.

3 Moore, Allan F., Aqualung (New York: Continuum, 2004)CrossRefGoogle Scholar.

4 Supplementary reading to the chapter on form, for instance, could be drawn from work by Walter Everett, John Covach, Nicole Biamonte, Mark Spicer, Jocelyn Neal, Christopher Doll, David Temperley, Tim Hughes, Mark Butler, Ken Stephenson, Brad Osborn, Christopher Endrinal, Trevor de Clercq, Drew Nobile, Jay Summach, and Moore himself.

5 Stephenson, Ken, What to Listen for in Rock: A Stylistic Analysis (New Haven: Yale University Press, 2002)CrossRefGoogle Scholar.