Hostname: page-component-6bf8c574d5-t27h7 Total loading time: 0 Render date: 2025-02-25T11:10:44.751Z Has data issue: false hasContentIssue false
  • English
  • Français

Directing Pirandello Today

Published online by Cambridge University Press:  23 November 2021

Luigi Squarzina  and
Gino Rizzo
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Meeting Report
Information
Tulane Drama Review , Volume 10 , Issue 3 , Spring 1966 , pp. 76 - 85
Copyright
Copyright © Tulane Drama Review 1966

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 In his Voci del tempo (Rome: 1921) and Studi sul tcatro contemporaneo (Rome: 1923), Adriano Tilgher popularized the interpretation of Pirandello's “philosophy” as a dialectic of fiction and reality, of “form”—the rigidity of the mask each of us wears in his contacts with society—and life.