Hostname: page-component-78c5997874-t5tsf Total loading time: 0 Render date: 2024-11-03T05:49:07.629Z Has data issue: false hasContentIssue false
  • English
  • Français

Drama and Society

Published online by Cambridge University Press:  23 November 2021

Alfonso Sastre
Translated by
Leonard C. Pronko
Get access Rights & Permissions [Opens in a new window]

Extract

It seems that tragedy is a kind of social sin. The average spectator considers the writer of tragedies, in the best cases, as a sort of sinister mar-joy worthy of criminal persecution, social ostracism and the most rigorous repression by the censors. It seems we are opposed to the voices of sorrow, death and catastrophe on the stage. Theatre managers illustrate this evident antipathy for the tragic genre by programming silly light comedies, and musical reviews whose artistic pretensions go no further than an exhibition of nude bodies, and saucy facility of situation, puns and jokes.

Type
Research Article
Information
Tulane Drama Review , Volume 5 , Issue 2 , December 1960 , pp. 102 - 110
Copyright
Copyright © The Tulane Drama Review 1960

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)