Published online by Cambridge University Press: 20 November 2003
In this polemical paper, I argue that, although conservation has generally presented itself as ananti-modern phenomenon, it is actually very modern indeed; the rise of the conservation movement has been a key element in the modern transformation of the built environment. The paper assesses how this situation has come about, drawing on the turn-of-century ideas of Alois Riegl, and argues that this modern concept of the monument has had a positive, creative side and a negative, even destructive side. In a concluding section, I explore the problems that conservation faces today as a result of that ‘committed’ stance.
1 This paper is a substantially revised and expanded version of a lecture given at the Institute of Historic Buildings Conservation Annual School, Strathclyde University, on Friday 16 June 2000, and reproduced in the 2001 issue ofContext(the newsletter of the IHBC).